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Fatal Purity: Robespierre and the French Revolution - Hardcover

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9780805079876: Fatal Purity: Robespierre and the French Revolution

Synopsis

A riveting biography of the French Revolution's most enigmatic figure that restores him to his pivotal historic place

Since his execution by guillotine in July 1794, Maximilien Robespierre has been contested terrain for historians, at once the most notorious leader of the French Revolution and the least comprehensible. Was he a bloodthirsty charlatan or the only true defender of revolutionary ideals? Was his extreme moralism--he was known as "The Incorruptible"--a heroic virtue or a ruinous flaw? Was he the first modern dictator or the earliest democrat?
Against the dramatic backdrop of the French Revolution, historian Ruth Scurr follows the trajectory of Robespierre's paradoxical life, from his unprepossessing beginnings as a provincial lawyer opposed to repressive authority and the death penalty, to his meteoric rise in Paris politics as a devastatingly efficient revolutionary leader, righteous and paranoid in equal measure. She explores his reformist zeal, his role in the trial of the king and the fall of the monarchy, his passionate attempt to design a modern republic, even his extraordinary effort to found a perfect religion. And she follows him into the depths of the Terror, as he makes summary execution the order of the day, himself falling victim to the violence at the age of thirty-six.
Written with epic sweep, full of nuance and insight, Fatal Purity is a fascinating portrait of a man who identified with the Revolution to the point of madness, and in so doing changed the course of history.

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About the Author

Born in 1971, Ruth Scurr studied at Oxford and Cambridge, where she currently teaches politics and history. A prominent literary critic, she has written for The New York Review of Books and The Times Literary Supplement. Fatal Purity is her first book.

Reviews

The short, violent life of Maximilien Robespierre was a mass of contradictions crowned with a supreme irony: this architect of the French Revolution's Reign of Terror would in July 1794 be executed by the same guillotine to which he had consigned so many others. Cambridge University historian Scurr says she has tried to write a biography that expresses "neither partisan adulation nor exaggerated animosity," but even she must conclude that with the Terror, he "kept moving through that gory river, because he believed it necessary for saving the Revolution. He can be accused of insanity and inhumanity but certainly not of insincerity." Robespierre can also be accused of being a revolutionary fanatic who hated atheists, and "became the living embodiment of the Revolution at its most feral"; a dedicated upholder of republican virtues whose hands were smothered in blood; a fierce opponent of the death penalty who helped send thousands to their deaths; and a democratic tribune of the people who wore a sky-blue coat and embroidered waistcoats so aristocratic they wouldn't have been out of place at the court of the Sun King. Scurr's first book scores highly in unraveling not only her subject's complexities but those of his era. 2 maps. (Apr. 29)
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The name Maximilien Robespierre seems to embody the excesses that contributed to the deterioration of the French Revolution; his name is synonymous with the expression "Reign of Terror." Born in the provincial city of Arras, the lawyer Robespierre carved a significant place for himself in the destruction of the ancien regime, but in 1794 he fell under the machine of terror he had greatly contributed to creating and was himself guillotined. Scurr is to be applauded--and read, of course--for bringing the intricacies of the revolutionary philosophies and actions to a readily comprehensible level; as this author maintains, "To understand [Robespierre] is to begin to understand the French Revolution." Robespierre was a peculiar personality, distinctive in ways that were not all positive, and here he is as accurately assessed as hindsight permits. For the general reader, then, this is not simply a well-balanced, evenly shaded portrait of the man and his motivations, mistakes, and achievements but also a helpful explanation of an event that makes our American Revolution seem straightforward and of undeniable good sense. Brad Hooper
Copyright © American Library Association. All rights reserved

Excerpt. © Reprinted by permission. All rights reserved.

Preface
 
My dear Croker,
 
I wish you would think seriously of the History of the Reign of Terror. I do not mean a pompous, philosophical history, but a mixture of biography, facts and gossip: a diary of what really took place with the best authenticated likenesses of the actors.
 
Ever yours,
 
Robert Peel1
 
Soon after he received this letter from his friend Sir Robert Peel, the once and future Tory prime minister, John Wilson Croker packed his bags for a seaside holiday. Although he was a prominent literary and political journalist and was hoping to work as he sat on the beach, Croker packed none of his collection of rare and fascinating books about the French Revolution that are now one of the glories of the British Library. He took with him only the list of those condemned to death during the Reign of Terror.2 He perused it against the rhythmic sound of waves breaking on the shore.
 
Twenty-two impoverished women, many of them widows, convicted of forwarding "the designs of the fanatics, aristocrats, priests and other agents of England," guillotined.
 
Nine private soldiers convicted of "pricking their own eyes with pins, and becoming by this cowardly artifice unable to bear arms," guillotined.
 
Jean Baptiste Henry, aged eighteen, journeyman tailor, convicted of sawing down a tree of liberty, guillotined.
 
Henrietta Frances de Marbœuf, aged fifty-five, convicted of hoping for the arrival in Paris of the Austrian and Prussian armies and of hoarding provisions for them, guillotined.
 
James Duchesne, aged sixty, formerly a servant, since a broker; John Sauvage, aged thirty-four, gunsmith; Frances Loizelier, aged forty-seven, milliner; Mélanie Cunosse, aged twenty-one, milliner; Mary Magdalen Virolle, aged twenty-five, hairdresser: all convicted for writing, guillotined.
 
Geneviève Gouvon, aged seventy-seven, seamstress, convicted of "various conspiracies since the beginning of the Revolution," guillotined.
 
Francis Bertrand, aged thirty-seven, convicted of producing "sour wine injurious to the health of citizens," guillotined.
 
Mary Angelica Plaisant, another seamstress, guillotined for exclaiming, "A fig for the nation!"
 
Relaxing into his holiday, Croker continued reading through the long list of dubious charges against the several thousand victims of the Revolutionary Tribunal of Paris, from its institution on 10 March 1793 until the fall of Maximilien Robespierre on 27 July 1794. He compiled some grimly fascinating statistics: in the last five months of Robespierre's life, when he supposedly secured tyrannous power over France and the Revolution, 2,217 people were guillotined in Paris; but the total condemned to death in the eleven months preceding Robespierre's Reign of Terror was only 399. On the basis of these statistics, Croker concluded that the executions "grew gradually with the personal influence of Robespierre, and became enormous in proportion as he successively extinguished his rivals."3 In awed horror he recalled, "These things happened in our time--thousands are still living who saw them, yet it seems almost incredible that batches (fournées--such was the familiar phrase)--of sixty victims should be condemned in one morning by the same tribunal, and executed the same afternoon on the same scaffold."
 
Although Peel pressed his friend to write a popular and accessible book about the French Revolution, Croker never did so. When he got back from his holiday in 1835 he published his seaside musings in an article for the Quarterly Review. Here he acknowledged the enormity of the problem Robespierre still poses biographers: "The blood-red mist by which his last years were enveloped magnified his form, but obscured his features. Like the Genius of the Arabian tale, he emerged suddenly from a petty space into enormous power and gigantic size, and as suddenly vanished, leaving behind him no trace but terror."4
 
Copyright © 2006 by Ruth Scurr

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