A dazzling exploration of the intimate and public landscapes of passion from the American Poetry Society's 2018 Wallace Stevens Award–winner.
In haiku, tanka, and sensual blues, Sonia Sanchez writes of the many forms love takes: burning, dreamy, disappointed, vulnerable. With words that revel and reveal, she shares love's painful beauty.
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Musically compelling, risky, original: yes. But the most salient characteristic of Sonia Sanchez's Like the Singing Coming Off the Drums is passion. There's enough erotic exuberance in these poems to make even Cupid blush, starting with the opening salvo: "you held me so close / we were like the singing coming off drums. / you made me squeeze muscles / lean back on the sound / of corpuscles sliding in blood. I heard my thighs singing." The intensity of Sanchez's love poetry can leave us breathless. Yet she is very much the public poet as well as the private one. Her collection includes tributes to such icons as Ella Fitzgerald, Tupac Amaru Shakur, Toni Cade Bambara, Cornel West, and Gwendolyn Brooks. Sanchez also produces a portrait of an HIV-positive woman, which builds to an affirmative crescendo:
...I ammmmmmmmAt her best, Sanchez bridges gender, age and race, speaking in the closest we can expect to a universal language. We read the poems in Like the Singing Coming Off the Drums and know exactly what she means. --Martha Silano
the universe knows that
I ammmmmmm
hiv positive but I ammm
still. woman. lover. mother.
sistah. artist. organizer. activist.
woman...
Sonia Sanchez is poet, activist, scholar, and formerly the Laura Carnell Professor of English and Women's Studies at Temple University, and is currently a poet-in-residence there. Her numerous honors include the American Poetry Society's 2018 Wallace Stevens Award. she is the author of sixteen books, including Like the Singing Coming off the Drums, Does Your House Have Lions?, Wounded in the House of a Friend, Shake Loose My Skin, and Morning Haiku.
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