“Joy is not made to be a crumb,” writes Mary Oliver, and certainly joy abounds in her new book of poetry and prose poems. Swan, her twentieth volume, shows us that, though we may be “made out of the dust of stars,” we are of the world she captures here so vividly: the acorn that hides within it an entire tree; the wings of the swan like the stretching light of the river; the frogs singing in the shallows; the mockingbird dancing in air. Swan is Oliver’s tribute to “the mortal way” of desiring and living in the world, to which the poet is renowned for having always been “totally loyal.”
As the Los Angeles Times noted, innumerable readers go to Oliver’s poetry “for solace, regeneration and inspiration.” Few poets express the immense complexities of human experience as skillfully, or capture so memorably the smallest nuances. Speaking, for example, of stones, she writes, “the little ones you can / hold in your hands, their heartbeats / so secret, so hidden it may take years / before, finally, you hear them.” It is no wonder Oliver ranks, according to the Weekly Standard, “among the finest poets the English language has ever produced.”
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A private person by nature, Mary Oliver (1935–2019) gave very few interviews over the years. Instead, she preferred to let her work speak for itself. And speak it has, for the past five decades, to countless readers. The New York Times recently acknowledged Mary Oliver as “far and away, this country’s best-selling poet.” Born in a small town in Ohio, Oliver published her first book of poetry in 1963 at the age of 28; No Voyage and Other Poems, originally printed in the UK by Dent Press, was reissued in the United States in 1965 by Houghton Mifflin. Oliver has since published twenty books of poetry and six books of prose. As a young woman, Oliver studied at Ohio State University and Vassar College, but took no degree. She lived for several years at the home of Edna St. Vincent Millay in upper New York state, companion to the poet’s sister Norma Millay. It was there, in the late ’50s, that she met photographer Molly Malone Cook. For more than forty years, Cook and Oliver made their home together, largely in Provincetown, Massachusetts, where they lived until Cook’s death in 2005. Over the course of her long and illustrious career, Oliver has received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She has also received the Shelley Memorial Award; a Guggenheim Fellowship; an American Academy and Institute of Arts and Letters Achievement Award; the Christopher Award and the L.L. Winship/PEN New England Award for House of Light; the National Book Award for New and Selected Poems; a Lannan Foundation Literary Award; and the New England Booksellers Association Award for Literary Excellence. Oliver’s essays have appeared in Best American Essays 1996, 1998, 2001; the Anchor Essay Annual 1998, as well as Orion, Onearth and other periodicals. Oliver was editor of Best American Essays 2009. Oliver’s books on the craft of poetry, A Poetry Handbook and Rules for the Dance, are used widely in writing programs. She is an acclaimed reader and has read in practically every state as well as other countries. She has led workshops at various colleges and universities, and held residencies at Case Western Reserve University, Bucknell University, University of Cincinnati, and Sweet Briar College. From 1995, for five years, she held the Catharine Osgood Foster Chair for Distinguished Teaching at Bennington College. She has been awarded Honorary Doctorates from The Art Institute of Boston (1998), Dartmouth College (2007) and Tufts University (2008).
Cherished nature poet Oliver begins her twentieth collection by asking, “What can I say that I have not said before?” Then continues reporting on the wisdom she gleans in woods and on the beach, making each dispatch fresh and startling by way of the vitality of her encompassing vision and the fluidity and shine of her language. Her love for dogs remains ardent; she is still enthralled by birds and unrepentant in her celebration of beauty. The sun of her gratitude is great, illuminating beloved household objects, the rapidity of a hummingbird, and “the drowse of mountains.” The poet gets bloodied when she tries to help an injured gull, which inspires her to declare, “I love this world, even in its hard places. / A bird too must love this world, / even in its hard places. / So, even if the effort may come to nothing, / you have to do something.” Oliver’s plainspoken yet ringing poems are testimony to joy, prayers, and sermons. She concurs: “Okay, I confess to wanting to make a literature of praise.” --Donna Seaman
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Hardcover. Condition: new. Hardcover. Joy is not made to be a crumb, writes Mary Oliver, and certainly joy abounds in her new book of poetry and prose poems. Swan, her twentieth volume, shows us that, though we may be made out of the dust of stars, we are of the world she captures here so vividly: the acorn that hides within it an entire tree; the wings of the swan like the stretching light of the river; the frogs singing in the shallows; the mockingbird dancing in air. Swan is Olivers tribute to the mortal way of desiring and living in the world, to which the poet is renowned for having always been totally loyal. As the Los Angeles Times noted, innumerable readers go to Olivers poetry for solace, regeneration and inspiration. Few poets express the immense complexities of human experience as skillfully, or capture so memorably the smallest nuances. Speaking, for example, of stones, she writes, the little ones you can / hold in your hands, their heartbeats / so secret, so hidden it may take years / before, finally, you hear them. It is no wonder Oliver ranks, according to the Weekly Standard, among the finest poets the English language has ever produced. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780807068991
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