This is a brilliant and revelatory first novel by a woman who is both an Arab and an American, who speaks with both voices and understands both worlds. Through the narratives of four cousins at the brink of maturity, Laila Halaby immerses her readers in the lives, friendships, and loves of girls struggling with national, ethnic, and sexual identities. Mawal is the stable one, living steeped in the security of Palestinian traditions in the West Bank. Hala is torn between two worlds-in love in Jordan, drawn back to the world she has come to love in Arizona. Khadija is terrified by the sexual freedom of her American friends, but scarred, both literally and figuratively, by her father's abusive behavior. Soraya is lost in trying to forge an acceptable life in a foreign yet familiar land, in love with her own uncle, and unable to navigate the fast culture of California youth. Interweaving their stories, allowing us to see each cousin from multiple points of view, Halaby creates a compelling and entirely original story, a window into the rich and complicated Arab world.
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Laila Halaby was born in Beirut, Lebanon, to a Jordanian father and an American mother. She speaks four languages, won a Fulbright scholarship to study folklore in Jordan, and holds a master's degree in Arabic literature. Her first novel, West of the Jordan, won the prestigious PEN Beyond Margins Award. She lives in Tucson, Arizona, with her family.
Four young women from Palestine and Jordan contend with issues of identity in this debut novel from Arab-American author Halaby. Hala, who has just finished high school in Arizona and intends to go to university, returns to Jordan to spend time with her dying grandmother. She finds herself at odds with her conservative older sister and her father, a traditional man much older than her independent mother, who died two years earlier. As she spends time in the country of her childhood, she forges a relationship with her older cousin, Sharif, and faces tough choices about her future. Hala's cousin Mawal has remained in the West Bank village of Nawara and leads a passive existence, living with her mother and listening to the many stories of villagers and relatives who have left for Jordan or the United States. In Los Angeles, two more cousins, Soraya and Khadija, attempt to integrate themselves into American life while facing prejudice and coping with their parents' traditional expectations; Soraya rebels with her sexuality, while Khadija faces a drunken and abusive father. The themes of choice and independence are very much at the forefront of the story, and much of the news revolves around loss: of homeland, of family, of traditions. Halaby's choice to alternate the narratives of the four young women offers real characterizations to latch onto, and her prose, often lyrical-particularly when the speakers relate other peoples' stories-deepens the complications of history and heritage. Contemplative and lush, this coming-of-age tale resonates with the challenges of cross-cultural life.
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