Sweetbitter: A Novel (Voices of the South) - Softcover

Gibbons, Reginald

3.28

57 ratings by Goodreads

9780807128718: Sweetbitter: A Novel (Voices of the South)

Softcover

ISBN 10: 0807128716 ISBN 13: 9780807128718

Publisher: LSU Press, 2003

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Winner of the Anisfield-Wolf Book Award

“Reginald Gibbons’s first novel takes place in east Texas in 1910 during the time of white rule―not by law but by lynch mob. Amid the suffocating racism and fear, half-Choctaw, half-white Reuben Sweetbitter and Martha Clarke, a white woman, fall in love. . . . Reuben and Martha’s love is strong, but, dishearteningly, racism is stronger. Timely in the subject of interracial love, this authentic, richly -detailed novel plumbs sacrifice, fear, and the loss of one’s identity, bringing the -anguish of the two young lovers to life. Highly recommended.”―Library Journal

“Far more than a spellbinding love story . . . a novel wide and deep in its understanding. . . . An unforgettable story, a remarkable piece of work.”―Dallas Morning News

“I love this novel: it sings, it soars. Simultaneously deft and deep, it brings a lost world back to brilliant light.”―Andrea Barrett

“Surprising in every way. . . . The novel’s ending is as strong as its beginning―terrifying and beautiful, a true tour de force.”―Chicago Tribune

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About the Author:

Reginald Gibbons is the author of seven books of poetry and two of fiction. An editor, translator, critic, and essayist as well, he has received the Carl Sandburg Award, the Balcones Poetry Prize, a Pushcart Prize, and the Jesse Jones Fiction Award among other honors. He grew up in a semirural area near Houston, Texas, and is one-eighth Choctaw. He is a professor of English at Northwestern University in Evanston, Illinois.

From Kirkus Reviews:

An unremarkable forbidden-love story that pursues only superficially the strong situations it sets up. Reuben S. Sweetbitter, half-Choctaw, half-white, 24 years old, lives in turn-of-the-century East Texas in a sort of limbo. He grew up with his mother and her family (his white father was never spoken of) and knows Choctaw tales, words, and ways. But he also knows how to act like a ``negro,'' because after his mother died he found shelter with a black family. They sought to cure Reuben of his ``heathen'' habits by teaching him to read the Bible, so he speaks as well as most white folks and can almost ``pass'' with his light complexion. His chameleon-like talents are a help when Reuben decides, justifiably, that it is safest to stay as invisible as possible as he moves from town to town in search of work. But in Three Rivers he falls in love with a white lawyer's daughter, Martha, and they steal away together. After months on the run, the couple settles in with a wealthy woman who thinks herself a liberal for accepting an interracial relationship. But years later, with a guest house and two kids, Reuben still acts as a chauffeur and practically walks a pace behind. Martha resents being shut out of the society she was born into, while Reuben awaits the day when her brother arrives to strike him down. These are powerful themes that should have been explored, but the characters never pose any questions that might reveal their deepest sentiments. If TriQuarterly editor Gibbons (Five Pears or Peaches, not reviewed) thought the addition of chapters containing contemporary opinions on lynching and Choctaw histories of creation would add weight to his story, he was wrong: These sections merely serve as a distraction from the annoyingly shallow characters. Preachy and long-winded. -- Copyright �1994, Kirkus Associates, LP. All rights reserved.

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