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"A sweeping yet rigorous analysis of Dixon and his work. The collection approaches the southern intellectual through multiple methodologies -- from literary theory and film studies to social history and religious studies. We get an exhaustive yet diverse perspective on Dixon's influence and legacy." -- Journal of American History
Thomas Dixon Jr. (1864--1946), best remembered today as the author of the racist novels that served as the basis for D. W. Griffith's controversial 1915 classic film The Birth of a Nation, also enjoyed great renown in his lifetime as a minister, lecturer, lawyer, and actor. Although this native southerner's blatantly racist, chauvinistic, and white supremacist views are abhorrent today, his contemporary audiences responded enthusiastically to Dixon. In Thomas Dixon Jr. and the Birth of Modern America, distinguished scholars of religion, film, literature, music, history, and gender studies offer a provocative examination of Dixon's ideas, personal life, and career and in the process illuminate the evolution of white racism in the early twentieth century and its legacy down to the present. The contributors analyze Dixon's sermons, books, plays, and films seeking to understand the appeal of his message within the white culture of the Progressive era. They also explore the critical responses of African Americans contemporary with Dixon. By delving into the context and complexity of Dixon's life, the contributors also raise fascinating questions about the power of popular culture in forming Americans' views in any age.
"An important and valuable addition to the literature on turn-of-the-century white supremacy." -- Journal of Southern History
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Thomas Dixon, Jr. is best remembered as the author of the racist novels that served as the basis for D. W. Griffith's controversial 1915 classic film The Birth of a Nation. He also enjoyed great renown during his lifetime as a minister, lecturer, lawyer, and actor. In Thomas Dixon Jr. and the Birth of Modern America, distinguished scholars of religion, film, literature, music history and gender studies offer a provocative examination of Dixon's ideas, personal life and career and, in the process, illuminate the evolution of white racist ideas in the early twentieth century, and their legacy.About the Author:
Michele K. Gillespie is the author of Free Labor in an Unfree World: White Artisans in Slaveholding Georgia, 1789--1860 and a coeditor of several books, including Neither Lady nor Slave: Working Women of the Old South and The Devil's Lane: Sex and Race in the Early South. She is Kahle Associate Professor of History at Wake Forest University.
Randal L. Hall is the author of William Louis Poteat: A Leader of the Progressive-Era South and coeditor of The Southern Albatross: Race and Ethnicity in the American South. He is associate editor of the Journal of Southern History at Rice University.
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