Written to accompany an exhibition of prints from the John P. Eckblad collection of industrial imagery, At the Heart of Progress explores the way that artists have looked at the world that was created by heavy industry over more than two centuries. An interlocking triad — the mining of coal, the production of iron and steel, and the development of steam power — formed the basis of modern industrial civilization, explains curator Timothy Riggs. This transformation of the world is presented in a wide variety of images: documentary views, advertising and political posters, and works of art by artists including Camille Pissarro, Joseph Pennell, and C. R. W. Nevinson.
The volume offers a detailed discussion of twenty-nine key prints and traces the growth and transformation of heavy industry in Britain, France, and America. At the Heart of Progress shows how artists confronted the new industrial structures of the eighteenth and early nineteenth centuries and then focuses on the artistic representation of the industrial environment and the portrayal of the worker in the nineteenth and twentieth centuries, as the industrial landscape engulfed whole tracts of countryside and a new society of industrial laborers developed.
"synopsis" may belong to another edition of this title.
Timothy Riggs is curator of collections at the Ackland Art Museum, the University of North Carolina at Chapel Hill.
Written to accompany an exhibition of prints from the John P. Eckblad collection of industrial imagery, this volume explores the way that artists have looked at the world that was created by heavy industry over more than two centuries. An interlocking triad--the mining of coal, the production of iron and steel, and the development of steam power--formed the basis of modern industrial civilization, explains curator Timothy Riggs. This transformation of the world is presented in a wide variety of images: documentary views, advertising and political posters, and works of art by artists including Camille Pissarro, Joseph Pennell, and C. R. W. Nevinson.
Written to accompany an exhibition of prints from the John P. Eckblad collection of industrial imagery, this volume explores the way that artists have looked at the world that was created by heavy industry over more than two centuries. An interlocking triad--the mining of coal, the production of iron and steel, and the development of steam power--formed the basis of modern industrial civilization, explains curator Timothy Riggs. This transformation of the world is presented in a wide variety of images: documentary views, advertising and political posters, and works of art by artists including Camille Pissarro, Joseph Pennell, and C. R. W. Nevinson.
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Paperback. Condition: new. Paperback. This title presents artists' depictions of industrialization. Written to accompany an exhibition of prints from the John P. Eckblad collection of industrial imagery, ""At the Heart of Progress"" explores the ways that artists have looked at the world that was created by heavy industry over more than two centuries. An interlocking triad - the mining of coal, the production of iron and steel, and the development of steam power - formed the basis of modern industrial civilization, explains curator Timothy Riggs. This transformation of the world is presented in a wide variety of images: documentary views, advertising and political posters, and works of art by artists including Camille Pissarro, Joseph Pennell, and C. R. W. Nevinson. The volume offers a detailed discussion of twenty-nine key prints and traces the growth and transformation of heavy industry in Britain, France, and America. ""At the Heart of Progress"" shows how artists confronted the new industrial structures of the eighteenth and early nineteenth centuries and then focuses on the artistic representation of the industrial environment and the portrayal of the worker in the nineteenth and twentieth centuries, as the industrial landscape engulfed whole tracts of countryside and a new society of industrial laborers developed. Explores the ways that artists have looked at the world that was created by heavy industry over more than two centuries. This title offers a discussion of twenty-nine key prints and traces the growth and transformation of heavy industry in Britain, France, and America. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780807859803
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Softcover. Condition: VG. Olive & BW pictorial stapled wraps, French flaps, 52 pp., duotone illus. Issued in conjunction with a 2009 exhibition of works that record "the ways that many different artists -- and different kinds of artists -- have looked at industry and labor over a period of more than two centuries." (p. 11) With an essay by Timothy A. Riggs, a collector's statement, a bibliography, and an exhibition checklist of 76 items. If you like early prints, you'll enjoy browsing through this catalog. Seller Inventory # 145930
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Condition: New. Explores the ways that artists have looked at the world that was created by heavy industry over more than two centuries. This title offers a discussion of twenty-nine key prints and traces the growth and transformation of heavy industry in Britain, France, and America. Num Pages: 50 pages, 36 colour illustrations, notes, bibl. BIC Classification: 1DB; 1DDF; 1KBB; 3JF; 3JH; 3JJ; HBTK. Category: (G) General (US: Trade). Dimension: 216 x 216 x 10. Weight in Grams: 227. . 2009. Paperback. . . . . Seller Inventory # V9780807859803
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Condition: New. Explores the ways that artists have looked at the world that was created by heavy industry over more than two centuries. This title offers a discussion of twenty-nine key prints and traces the growth and transformation of heavy industry in Britain, France, and America. Num Pages: 50 pages, 36 colour illustrations, notes, bibl. BIC Classification: 1DB; 1DDF; 1KBB; 3JF; 3JH; 3JJ; HBTK. Category: (G) General (US: Trade). Dimension: 216 x 216 x 10. Weight in Grams: 227. . 2009. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9780807859803