Describes the unexpected consequences of the successful movement to bring private matters into public life
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Public discourse today, asserts Gurstein in this jeremiad, is a noisy, vulgar circus where privacy and modesty are flouted, and where so-called avant-garde artists invoke free-speech rights to justify violent, dehumanizing or pornographic works. Her rigorous study charts the death in the U.S. of a "reticent sensibility" valuing tact, discretion, good taste and politeness. Among the chief destroyers of this sensibility, she argues unpersuasively, were intrusive, sensationalistic journalists dating back to the 1830s penny press; realist novelists like Theodore Dreiser and William Dean Howells; and sex reformers such as Margaret Sanger, Mary Ware Dennett and Emma Goldman who discredited their Victorian forbears by equating reticence with prudery, evasion and hypocrisy. Gurstein, who teaches history and other subjects at Bard Graduate Center in Manhattan, covers landmark cases such as the 1933 trial exonerating James Joyce's Ulysses of obscenity charges, as well as cases that steadily eroded the right to privacy as defined by Louis Brandeis in 1890. In Gurstein's analysis, H.L. Mencken, Walter Lippmann, Joseph Wood Krutch and Philip Rahv reformulated aspects of the reticent creed, but mass culture won out, abetted by Olympia Press erotic publisher Maurice Girodias and Susan Sontag's defense of pornography as an art form. Gurstein brings a historical dimension to current debate over free speech and media responsibility.
Copyright 1996 Reed Business Information, Inc.
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Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0809080699I3N00
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0809080699I4N00
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Hardback. Condition: Good. This striking study of America's battles over what we can decently say and do in public traces how and why principled debate about the character of our common world has been displaced by a new kind of public noise. Rochelle Gurstein offers a brilliant history of the arguments made for and against the forces - invasive journalism, realist fiction, and sex reform - that altered public discourse between the late nineteenth century, when they first appeared, and the 1960s, when new controversies erupted about mass culture, avant-garde art, and sexual liberation. Now the public sphere is dominated by rights talk, by puritan-baiting, and by knee-jerk liberalism or illiberalism. Is this the best we can do? Gurstein gives a detailed account of how the party of exposure successfully opened American public life to matters that had once been hidden away in private, and studies the unexpected consequences of that victory. And she retrieves a way of thinking, wrongly discredited as Victorian, that could in fact move us beyond our stalemates over what should and what should not be said or done in public. Once, Americans influenced by the party of reticence held that if personal matters were exposed to public scrutiny they risked becoming trivial or obscene; they thought that any indiscriminate display of private matters deformed standards of taste and judgment, lowered the tone of public conversation, and polluted public space. Ms. Gurstein's penetrating analysis suggests that we must reconsider these positions, and she establishes the vital connection between our legal-cultural history and current debates about obscenity, privacy, and issues of public decency. Seller Inventory # 00100322056
Seller: Better World Books, Mishawaka, IN, U.S.A.
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Seller: Better World Books, Mishawaka, IN, U.S.A.
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Seller: Better World Books, Mishawaka, IN, U.S.A.
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Seller: World of Books Inc, Montgomery, IL, U.S.A.
Hardback. Condition: Good. This striking study of America's battles over what we can decently say and do in public traces how and why principled debate about the character of our common world has been displaced by a new kind of public noise. Rochelle Gurstein offers a brilliant history of the arguments made for and against the forces - invasive journalism, realist fiction, and sex reform - that altered public discourse between the late nineteenth century, when they first appeared, and the 1960s, when new controversies erupted about mass culture, avant-garde art, and sexual liberation. Now the public sphere is dominated by rights talk, by puritan-baiting, and by knee-jerk liberalism or illiberalism. Is this the best we can do? Gurstein gives a detailed account of how the party of exposure successfully opened American public life to matters that had once been hidden away in private, and studies the unexpected consequences of that victory. And she retrieves a way of thinking, wrongly discredited as Victorian, that could in fact move us beyond our stalemates over what should and what should not be said or done in public. Once, Americans influenced by the party of reticence held that if personal matters were exposed to public scrutiny they risked becoming trivial or obscene; they thought that any indiscriminate display of private matters deformed standards of taste and judgment, lowered the tone of public conversation, and polluted public space. Ms. Gurstein's penetrating analysis suggests that we must reconsider these positions, and she establishes the vital connection between our legal-cultural history and current debates about obscenity, privacy, and issues of public decency. Seller Inventory # CIN0809080699G
Seller: Books From California, Simi Valley, CA, U.S.A.
Hardcover. Condition: Good. Dust Jacket Condition: Includes dust jacket. Dust jacket shows minor shelf wear. Pages are underlined and annotated by previous owner. Seller Inventory # mon0003642388