Strong-willed and determined, Louisa Elliott battles the restrictions of nineteenth-century Victorian society to find happiness with two different men--her sensitive cousin, Edward, and the dashing Robert Duncannon
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Purchased with much hoopla for a record sum, this is a savory, intricately wrought tale of a tangled romantic triangle in repressed Victorian England. Louisa and Edward Elliot are cousins bound by the shame of having been born out of wedlock. As governess to the spoiled daughters of an obnoxious tradesman with aspirations beyond his station, Louisa is able to ignore whispers about her scandalous birth. But her narrow life is transformed by Robert Duncannon, a dashing, selfish officer of the Royal Dragoons whose wife is conveniently mad. When they become lovers, lively, rebellious Louisa is crushed by the social double standard, while Robert becomes even more impatient with her "middle-class prudery" and jealous of Edward's pained but abiding love. Tiny, colorful details lend authenticity: a neighbor pulls away her skirts at Lousia's approach, there's a shifting balance of power between Louisa and Moira, a lower-class maid who "marries up." Though the plot sometimes creaks and slows, the novel is carried by Roberts's evocative imagery, which immerses the reader in both the splendor and poverty of the gaslit, cobblestoned Victorian era, and in particular, the atmosphere of the ancient city of York. 150,000 first printing; $250,000 ad/promo; BOMC alternate.
Copyright 1989 Reed Business Information, Inc.
First cousins Louisa and Edward Elliott have shared a childhood circumscribed by the secret of their illegitimacy, a stigma in late 19th-century British society. As an adult, Louisa falls in love with Robert Duncannon, an Irish military officer. Passion overcomes reason, and she becomes his mistress, knowing she can never marry him because he has a wife who is mentally ill. After bearing his children Louisa becomes overwhelmed by her sense of guilt. Only Edward's devotion sustains her, and eventually she acknowledges her love for him. Despite its length, the book remains focused on the three central characters. Some subplots and supporting characters are not completely realized. Yet, Roberts creates a memorable woman in a well-written romance that relies more on moral conflicts than bedroom scenes to sustain reader interest. Expect demand; this first novel is being very heavily promoted, and should prove popular. BOMC featured alternate.
- Kathy Piehl, Mankato State Univ., Minn.
Copyright 1989 Reed Business Information, Inc.
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