Weeds was published by Harcourt Brace in 1923 and also brought out in England by Jonathan Cape. Despite favorable reviews by well-regarded critics the book made no impact, and Edith Summers Kelley never published another novel.
Its reprinting here in this innovative series which brought back Zelda Fitzgerald’s Save Me the Waltz is in the opinion of the publishers a literary event of great magnitude—perhaps equal to the rediscovery of Henry Roth’s Call It Sleep.
Weeds portrays the monotonous, drudging life of the small tenant farmer of the tobacco fields of Kentucky. The story centers around Judith Pippinger, who has spirit, beauty, and a restless seeking for a purpose in life, but who is brutalized by farm life.
It is not a dramatic novel, as Matthew Bruccoli notes in his Introduction to this neglected masterpiece. But it is convincing. The people live. On two counts this book is important. It is a perfectly controlled work of fiction, and therefore has the automatic worth that any superior piece of literature has. Also, it has historical value as a peak achievement in the revolt-from-the-farm school of naturalistic American fiction. Edith Summers Kelley was the last writer in the Hamlin Garland, E. W. Howe, Joseph Kirkland line of development.
Aside from its probable worth as social history, Weeds is highly readable. Readers will find here plausible people in a beautifully-handled realistic setting. Interesting to note, the novel’s strongest supporter heretofore was Sinclair Lewis, who was engaged to the author. In the opinion of Professor Bruccoli, Weeds is as good as Main Street.
"synopsis" may belong to another edition of this title.
Coming of age is a shock to almost anyone's system but imagine being like Kelley's character Judith Pippinger: spirited, creative, strong, yet facing nothing more fulfilling in life than the poverty and deprivation of a rural life. As with any lifetime, the human spirit provides moments of beauty, laughter and power-reserves upon which Judith must depend to survive a failing marriage, a disastrous love affair and the impending death of one of her daughters. The original manuscript contained a scene of rural childbirth deemed too graphic for readers and which was cut before publication. This complete edition includes that restored chapter.
Matthew J. Bruccoli is Professor of English at the University of South Carolina.
"About this title" may belong to another edition of this title.
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Hardcover first edition - First thus. Reissue of this lost masterpiece of realistic and feminist fiction, originally published in 1923 by Harcourt Brace. The story of Judith Pippinger, a young woman full of life, who is worn down by the monotonous life of drudgery of the small tenant farmer in the tobacco fields of Kentucky, a life Kelley experienced herself. As a young woman, Kelley went to New York where she became secretary to Upton Sinclair and briefly engaged to Sinclair Lewis (who was instrumental in getting this novel published originally), but after her second marriage to Fred Kelley, they left New Jersey and tried farming in Kentucky and later in the Imperial Valley in California. This edition includes an introduction by Matthew J. Bruccoli, general editor of the Crosscurrents / Modern Fiction series. 333 pp. Near fine in a very good dust jacket. (some crinkling and wear to the ends of the spine dj.). Seller Inventory # 55944
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