Winner of the 2006 Lannan Foundation Award for Poetry
In his twelfth volume of poetry, Bruce Weigl continues his quest for emotional and spiritual enlightenment. Quiet and moving, these poems combine an intimate voice with a searingly direct look at suffering and senseless violence, at human desire and love, and at man's relationship with nature.
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Bruce Weigl (born January 27, 1949, Lorain, Ohio) is an American contemporary poet who teaches at Lorain County Community College. Weigl enlisted in the United States Army shortly after his 18th birthday and spent three years in the service. He served in the Vietnam War from December 1967 to December 1968 and received the Bronze Star . When he returned to the United States, Weigl obtained a bachelor's degree from Oberlin College, and a Master of Arts Degree in Writing/American and British Literature from the University of New Hampshire. From 1975-76, Weigl was an instructor at Lorain County Community College in Elyria, Ohio
The first five volumes covered in Weigels Archeology (1976s Executioner to 1988s Song of Napalm) dwell on Weigls firsthand experiences of Americas southeast Asian war, returning obsessively to combat terror, witnessed atrocities and cravings for underaged prostitutes. However laudable his brutal honesty, lines like I was barely in country soon become tiresome. Weigls best poems come from his three 1990s volumes (particularly from After the Others, represented in Archeology with selections marked as New Poems) where he begins to distill his themes of disgust and horror within non-Vietnam contexts. Weigls most grimly powerful poems, all found in Archeology, are The Impossible, an account of being forced, as a seven-year-old boy, to perform oral sex on a strange man, and The Nothing Redemption, a disgusting vision of a young man whose hole/ was plastered closed with his own excrement in an attempt to disqualify himself from military service. Snowy Egret (from 1985) and Carp (a more pressurized rhyme sonnet from 1996s Sweet Lorain) are convincing documents of regret for mindless boyhood destruction of animal life. The complex and unsettling Pineapple (appearing in both volumes) is a recollection of a womans seductive behavior in a supermarket fruit aisle; tinged with lust and violence, it somehow reaches its dark climax in the narrators refusal to respond to the womans advances. That poem and other notables in After the Others (such as the squalid The Singing and the Dancing and the desperate Anniversary of Myself) make that book the most consistently rewarding effort from this still evolving poet.
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