Impressionist Still Life - Hardcover

Rathbone, Eliza E.; Shackelford, George M.

Hardcover

ISBN 10: 0810906139 ISBN 13: 9780810906136

Publisher: Harry N. Abrams, 2001

Synopsis

The art of still life painting is captured in dozens of remarkable reproductions of masterworks by seventeen great Impressionist artists, including Van Gogh, Renoir, CTzanne, Gauguin, Pissaro, Monet, and Manet, accompanied by an authoritative introduction to the still-life tradition in painting and its history.

About this title

About the Author

Eliza Rathbone is chief curator of the Phillips Collection in Washington, D.C.
George Shackelford is chair of the Art of Europe at the Museum of Fine Arts, Boston.
Jeannene Mari Przyblyski is a San Francisco-based art historian and critic.
John McCoubrey is the James and Nan Farquhar Emeritus Professor of the History of Art at the University of Pennsylvania.
Richard Shiff holds the Ettie Marie Cain Regents Chair in Art at the University of Texas at Austin.

Reviews

Consider the incalculable reproductions of Van Gogh's sunflowers or Monet's water lilies and it seems likely that images of impressionist masterworks are among the paintings most familiar to art lovers and the general public. In this beautifully produced book documenting a traveling exhibition of 16 impressionist artists organized by the Phillips Collection, however, the unfamiliar but breathtaking scope of the still life genre in late-nineteenth-century France is revealed. Incisive essays trace these invigorating, not overexposed artworks' sources, development, techniques, and subsequent influences on contemporary art worldwide. How exciting to be reminded of the intuitive creativity of painters who changed the direction of artistic expression: the pulsating brush strokes and dynamic compositions of Cezanne, Gauguin's compelling command of color, and the glittering atmospheric quality captured on canvases by Morisot and Monet. All have the power to transfix. Alice Joyce
Copyright © American Library Association. All rights reserved

Not merely a survey of impressionist still-life painting, as suggested by its title, this handsome and valuable catalog of an exhibition at the Phillips Collection in Washington, DC, that then travels to Boston, is an intelligently wrought overview of this genre in late 19th-century France. Apart from the luminous favorites of the impressionists, their great realist predecessor Gustave Courbet and their post-impressionist successors are also amply represented in the show's 92 works. Accompanying the catalog are five essays that explicate the development and formal qualities of these paintings within a context of art historical tradition and social currents. Although the essays are of some service in articulating the sources and influences leading up to this period, the significance of the enigmatic Manet, and the achievement and impact of C?zanne, none of these discussions comes to grips with the quintessential Impressionism of Monet, Renoir, Pissarro, and Morisot. The dereliction, however, of the not equally accessible essays is more than compensated for by the refined analyses that accompany the excellent reproductions. The thoughtful organization of the paintings into small congeries further enhances the pedagogic and aesthetic value of this eye-delighting opus. Robert Cahn, Fashion Inst. of Technology, NY
Copyright 2001 Reed Business Information, Inc.

Edition details

• Publisher: Harry N. Abrams
• Publication date: 2001
• Language: English
• ISBN 10: 0810906139
• ISBN 13: 9780810906136
• Binding: Hardcover
• Edition number: 1
• Number of pages: 240