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Then comes the good stuff: 1,000 works from the museum's six curatorial departments: Painting and Sculpture, Drawings, Prints and Illustrated Books, Architecture and Design, Photography, and Film and Video, each section introduced by an essay explaining the development of the particular collection. Clear, large, color illustrations of Cezanne's The Bather, Munch's Madonna, Wyeth's Christina's World, and sculpture by Oldenburg, Serra, Morris, and Beuys leave a reader gasping, "They have that?"
First published in 1984, the book was reprinted in 1997 by Abradale, Abrams's more affordable imprint. While the huge catalog is now less expensive, keep in mind that its content has not been revised since its first edition. Regardless, it's a valuable testament to the quality and scope of one of the world's greatest art collections. It's hard not to want to see all of the works that didn't make it into the catalog.
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