NY 1989 Abrams. Lg.4to., 432pp., photos, illustrations, index, hardcover. Fine in near Fine DJ, light rubbing.
"synopsis" may belong to another edition of this title.
Warhol, the self-promoting "king of Pop" who pictorially chronicled American society--its faces, products, and events--may be one of this century's least understood artists. Given the recent spate of Warhol reminiscences, this biography is a good value: Words and pictures clarify his life and career, and the coffee-table format, offering over 300 reproductions that include personal photos and art--is visually satisfying. The author is an art critic who was also a colleague and long-time Warhol chum. His perspective is comprehensive, informed, and blunt without being too gossipy or sensational. The text, based on first-hand knowledge of Warhol as well as extensive interviews with his family and friends, conveys Warhol's struggle to find his own niche in the art world, his attempts to discover new forms, his role as a cult figure and mentor, and his personal idiosyncrasies.
- Robin Kaplan, Los Angeles
Copyright 1989 Reed Business Information, Inc.
A shy, pale youth from working-class Pittsburgh, Andy Warhol became a popular commercial illustrator in 1950s New York, then a successful fine artist. With his depictions of Campbell soup cans and dollar bills, pop art broke the grip of abstract expressionism on the marketplace. Bourdon ( Pop ism: The Warhol '60s ) is especially good on these early years. This chunky, lavishly illustrated monograph also documents the trendy artistic and social whirl at Warhol's Factory and covers his avant-garde filmmaking in detail. Bourdon sees Warhol as an innovator who injected a freshness into portrait, still life and genre. He argues that Warhol's paintings of the 1970s held up a mirror to the "me" generation, while in the '80s he became a post-modernist, recycling familiar motifs in novel contexts.
Copyright 1989 Reed Business Information, Inc.
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Hardcover. Condition: Good. First Edition. Perhaps no artist has so captured the imagination of the public as has Andy Warhol. To some he was a genius whose brash, provocative, and often zany paintings and films epitomized the prevailing cultural and moral spirit of the time; others saw him as a flagrant self-promoter whose insatiable appetite for fame and fortune led him to pure sensationalism at the expense of serious art. Yet no one can deny his influence on the world at large, an influence that continues unabated even after his death. By preempting the celebrity of his subjects-from Campbell's Soup and Coca-Cola to Marilyn Monroe and Elizabeth Taylor-Warhol parlayed his own name into a highly valuable commodity. But he didn't stop there. Recognized as a founding father of underground film, a pioneer of multimedia "happenings," and the brightest light in his own galaxy of "superstars," Warhol strove to be a "jack of all arts," and the legacy he left behind-paintings, drawings, prints, photographs, films, anai"publications, as well as a decorative art collection perhaps unrivaled in ourtime-proves him to be a master as well. Author David Bourdon, art critic and a close friend and confidant of Warhol's since the early 1960s, has been working on this book for several years, receiving full cooperation from the artist during his lifetime and from his family and friends afterward. He has succeeded in capturing Warhol's art, life, and impact-and the essence of an era- with style, grace, insight, and the authenticity that only comes from having been there. In portraying the multidimensional artist in all his many guises, Bourdon presents the most comprehensive, authoritative view available of the life and work of the internationally renowned king of Pop art. With his perceptive text and more than 320 pictures, he explores the young Warhol's struggle to find his own niche in the art world-and his personal rivalry with Robert Rauschenberg and Jasper Johns in his attempts to innovate new forms in art; analyzes his films-from early, motionless studies such as Empire through Chelsea Girls, which one critic termed "the Iliad of the Underground," and Lonesome Cowboys and Blue Movie, both confiscated by lawmen; documents the evolution of his Interview magazine; discusses the shock waves that spread around the world from his 1968 near-fatal shooting; and examines his role as cult figure and mentor. The off-center members of Warhol's eccentric entourage -Girls of the Year Baby Jane Hlzer and Edie Sedgwick; Factory regulars Ondine, Viva, Ultra Violet, and Billy Name; transvestite film stars Candy Darling, Holly Woodlwn, and Jackie Curtis-are all here, as are such notables from the worlds of music, fashion, and Hollywood as Liza, John and Yoko, Mick, Bianca, Capote, and Jackie Q They all come together in the pages of this critical biography, fhedefinitive study of one of the most closely scrutinized but least understood artists of the century. Seller Inventory # SONG0810917610
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