In a way that was unusual for an artist of his time, Stuart Davis (1892-1964) took his inspiration not only from modern European painting but also from American popular culture. Davis, like other American artists in the early decades of the century, was deeply affected by his encounter with the remarkable accomplishments of the European avant-garde, which were revealed to the Americans at the landmark Armory Show of 1913 in New York. Drawn first to the color of the Post-Impressionists and then to the flattened, abstracted forms of the Cubists, Davis decided to pursue a modernist style of his own, a resolve that was strengthened by a sojourn Paris in the late 1920s.
Yet in addition to these European sources, Davis was much influenced by African-American jazz. Indeed, some of the most notable features of his art were conceived as visual equivalents to the music and the language he first heard at jazz clubs in New York and New Jersey as a very young man, and which remained avid interests throughout his life.
This book is the first study to take fully into account Davis's formative response to black American music - how it reshaped his understanding of what art could be and altered his personal "take" on European modernism. It also offers a detailed account of Davis's political activities in the numerous artists' associations he joined during the Depression era. Shedding new light on the artist's career and on his conception of painting, this study is essential not only for admirers of Davis's work but for anyone interested in the social currents that helped define America's visual culture during the almost fifty-year span of his career.
"synopsis" may belong to another edition of this title.
Patricia Hills is Professor of Art History at Boston University.
"About this title" may belong to another edition of this title.
Seller: BooksRun, Philadelphia, PA, U.S.A.
Hardcover. Condition: Very Good. First Edition ~1st Printing. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Seller Inventory # 0810932199-11-1-29
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Hardback. Condition: Good. Stuart Davis (1892-1964) was one of the major American painters of the 20th century, and this monograph sets out to shed new light on his work and on his conception of his art. Integrated into the text are many letters and archival documents which allow the artist to explain in his own words the ideas and emotions from which his work sprang. In addition to more familiar artistic influences such as European painting, Davis took a good deal of his inspiration from the jazz clubs which he frequented, and the book takes account of his formative response to African-American music - how it reshaped his understanding of what art could be, and altered his personal interpretation of modernism. Seller Inventory # 00107330380
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. First Edition ~1st Printing. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 15676894-20
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. First Edition ~1st Printing. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # GRP64614692
Seller: World of Books Inc, Montgomery, IL, U.S.A.
Hardback. Condition: Good. Stuart Davis (1892-1964) was one of the major American painters of the 20th century, and this monograph sets out to shed new light on his work and on his conception of his art. Integrated into the text are many letters and archival documents which allow the artist to explain in his own words the ideas and emotions from which his work sprang. In addition to more familiar artistic influences such as European painting, Davis took a good deal of his inspiration from the jazz clubs which he frequented, and the book takes account of his formative response to African-American music - how it reshaped his understanding of what art could be, and altered his personal interpretation of modernism. Seller Inventory # CIN0810932199G
Seller: HPB-Diamond, Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_487115590
Seller: Books From California, Simi Valley, CA, U.S.A.
Hardcover. Condition: Very Good. Seller Inventory # mon0004261553
Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Seller Inventory # D02K-00976
Seller: HPB-Ruby, Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_481643213
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Very Good. light shelfwear, NICE! Oversized. Seller Inventory # 0810932199-02