Looks at drawings in Indian ledger books, depicting traditional dances and war losses, and includes scholarly commentary
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The truly remarkable aspect of this book concerns its methodology. Berlo (Native American art, Univ. of Missouri, St. Louis) manages to bring together multiple viewpoints that enlarge this subject, opening it out to a richer social and historical context. Based on an engaging exhibition organized by the Drawing Center, New York, and the American Federation of Arts, the volume offers essays, artists' statements, and catalog entries that more fully illuminate the work of 36 Plains Indian artists. Although there have been several publications on those Plains Indian ledger drawings created while the artists were in federal prisons, this book covers the reservation period, when the richest work was produced. The picture that emerges is a more fully realized perspective on what this art meant to its creators. This study offers a vigorous examination of narrative Native American art in transition and contains a wealth of new, and even previously unknown, details on Plains Indian drawing. An essential acquisition for academic collections where Native American culture and art intersect.?Paula A. Baxter, NYPL
Copyright 1997 Reed Business Information, Inc.
Whereas their forebears traditionally drew on buffalo hides, nineteenth-century Plains Indians transferred this artistic genre onto inventory ledger books that were often already filled with lists in spidery writing. Earlier winter accountings of events, which is what the drawings are, depicted victories and continuing struggle, but those from this period illustrate an accelerating spiral of loss and defeat. A line of uniformed Indian prisoners is shown being photographed, while another is being pressed through military drills. Still, there is also transcription of traditional ways, such as the Caddo stomp dance, the Kiowa honoring song, and the sun dance. Excellent scholarly introductions set the historical and artistic contexts for the colorplates of the drawings. An especially interesting section provides commentary by four contemporary Native American artists on the ongoing influence of these seemingly childlike sketches. Patricia Monaghan
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BOOK HARDCOVER. Harry N. Abrams Publishers (New York) in association with The American Federation of Arts and The Drawing Center,1996, in folio (31,5 x 26 cm), 240 pages. 201 illustrations including 163 plates in full color. With illustrated jacket,Hard Cover. +++++++ This book is the most comprehensive treatment to date of late nineteenth - and early twentieth- century plains Indian Drawings. It is published on the occasion of the first extensive exhibition of this material, organized by the Drawing Center, New York, and the American Federation of Arts. Featured are 36 artists from the Lakota, Cheyenne, Kiowa, and Arapaho tribes, such as Back Hawk, Making Medicine, Wohaw, Little Shield and White Bull. The eight essays, and catalogue entries on 153 works provide a wealth of information on Plains Indian Culture, religion, and individual artists during the reservation era - Very good condition. Seller Inventory # 20467
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