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American architect Louis Kahn (1901-74) believed in monumental architecture and "a spiritual quality inherent in a structure, which conveys a feeling of its eternity." Unfortunately, many observers find his work incredibly imposing, dense, and unfriendly; in his peak years, 1965-73, he exhibited an exceptional ability to make different buildings with varied purposes look like Soviet-era parking garages. He is nevertheless an important architect, and Rykwert, Paul Phillipe Cret Professor of Architecture emeritus at the University of Pennsylvania, has written a careful and laudatory introduction to his work. Fifteen of his projects, institutional and residential, are shown in this volume. Each building is framed by a brief text that indicates place, purpose, and architecture, along with a floor plan and quality photographs of interiors and exteriors. The volume stresses in word and image Kahn's goal of making enduring buildings. He succeeded, even if his architecture does look like the tool of a totalitarian government. Recommended for collections where there is an interest in the architect's work or in the 1960s-to-1970s era of modern-gone-monumental. David Bryant, New Canaan Lib., CT
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