Internationally renowned South African artist William Kentridge creates animated movies from “drawings for projection,” charcoal renderings he alters during filming. Paralleling the political upheaval in his homeland, his works reflect the tenuous nature of memory, both personal and historical.
Published to accompany Kentridge’s first retrospective exhibition in the United States and South Africa, this fascinating book offers in-depth coverage of the artist’s animated films, drawings, and theater productions. Kentridge has also created 16 new, previously unpublished “artist’s pages” for the book.
A wealth of colorplates, essays, and an interview exploring various facets of Kentridge’s creative process, and a chronology outlining both his and his country’s milestones make this book the most comprehensive examination of Kentridge’s work to date.
"synopsis" may belong to another edition of this title.
Examining the black and white animated films of William Kentridge, this volume discusses the political and philosophical dimensions of drawing, a term the artist applies equally to his works on paper, film and theatre productions. It surveys Kentridge's work within a broad historical and geographic context of politicised art practices while analyzing the formal innovations of his animation techniques.
NEAL BENEZRA is deputy director and the Frances and Thomas Dittmer Curator of Modern and Contemporary Art at the Art Institute of Chicago. STACI BORIS is associate curator at the Museum of Contemporary Art, Chicago. DAN CAMERON is senior curator at the New Museum of Contemporary Art, New York. LYNNE COOKE is curator at New York’s Dia Center for the Arts. ARI SITAS is professor of social studies at the University of Natal, Durban.
"About this title" may belong to another edition of this title.
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