For readers who have little time to spare and are averse to art-world jargon, this series aims to provide an entertaining guide to individual artists and pop culture. Each volume presents an account of the artist's life, personal and professional anecdotes, concise definitions of cultural and social movements that shaped the artist's work, and colour reproductions. This book explores how Van Gogh, son of a clergyman, with his own failed dreams of becoming one, emerged as one of the world's great painters and an art-world icon. It discusses his greatest passions, how he felt about selling only one painting during his lifetime, and why he painted his most beautiful flower pictures during the most anguished period of his life.
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This pocket-sized book packs a lot of information, visual and textural, about one of the best-loved artists of the 20th century. One of the Essentials series, which also includes Jackson Pollock, Salvador Dali, and Edward Hopper, it comes off as a kind of art-world Cliff Notes, but beautifully and colorfully designed. The book purports to tell you everything you need to know to sound smart about Van Gogh. To that end, the text is pre-underlined (the key words and information are italicized, sometimes eccentrically, as in "Vincent was no virgin"); there are lists of bulleted phrases containing highlights of different aspects of Vincent's short career; and "sound bytes"--pithy quotations--are highlighted by blue strips.
There is a reason why Vincent Van Gogh's passionate story has been the subject of best-selling potboilers and Hollywood sagas. He sold only one picture during his wretched lifetime, he committed suicide at age 37, he was fervently religious and callously rude, and he cut off part of his ear. And the 20th-century auction prices for paintings like Irises (more than $50 million in 1987) have made front-page news around the world. This little book relates Vincent's life, his anchoring relationship with his younger brother Theo (to whom he wrote 800 lucid and eloquent letters on art), and his painting. Unfortunately, author Ingrid Schaffner's distorted, flip style ("Theo is not too thrilled," that Vincent "hangs out in divey bars," "Today Van Gogh would be seriously on Prozac") might be offensive to readers of even moderate empathy or serious interest. But for an instant course in Van Gogh, this book is probably your best bet. --Peggy Moorman
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