Published to accompany a retrospective of his work at Grand Palais in Paris from September 1997 and The Metropolitan Museum of Art, New York, from March 1998, this volume examines 60 paintings and 100 works on paper by the French court painter and draughtsman, Pierre-Paul Prud'hon (1758-1823). The illustrations have individual commentaries. A contemporary of Jacques-Louis David, Prud'hon won acclaim during the years spanning the French Revolution, the Empire and the Restoration for his graceful paintings of allegorical and mythological subjects and for his handsome portraits. His strong connections with the upper echelons of French government can be seen in his portraits of such figures as Talleyrand and the Empress Josephine. His nudes and other drawings, made from live models, are among the treasures of 19th-century academic art.
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In an age of great painters like David, Gericault, and Delacroix, Pierre-Paul Prud'hon's (1758-1823) anomalous genius seems to stand slightly apart and below. A romantic Neoclassicist and a proto-Romantic classicist, the French master could boast a considerable achievement, amply expatiated and reverently documented in this handsome exhibition catalog by Laveissiere, who is compiling the catalogue raisonne on Prud'hon. While every aspect of the artist's creative range is given its due, his complex allegorical compositions and his extraordinarily accomplished and justly famous nude academies will continue to garner the greatest appreciation. Not slighted, however, is his genuine achievement as illustrator and painter of portraits and mythologies. Collections with an interest in this critical art historical moment will wish to acquire this now-fundamental volume.?Robert Cahn, Fashion Inst. of Technology, New York
Copyright 1998 Reed Business Information, Inc.
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Soft cover. Condition: Near Fine. No Jacket. The first major study of Prud'hon since the 1920's, accompanies an exhibition at The Galeries Nationales du Grand Palais, Paris Sept 1997-Jan 1998, and The Metropolitan Museum of Art, NYC March - June, 1998. Author Laveissiere was curator of paintings at The Louvre. 403 illustrations, 148 in color; chronology; provenances; bibliography. Wraps with French flaps have very shallow crease at outer front corner, 1/2" closed tear at bottom of spine, an otherwise fine copy with clean, undamaged interior pages. 344 pages, 9" x 12". A big, heavy book that needs extra postage for international or expedited shipping. Seller Inventory # 103699
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Hard Cover. Condition: As New. Dust Jacket Condition: As New. 344 pp., 403 illustration including 148 in colour, chronology, provenances, references, bibliography and index. Still shrinkwrapped. The first major study since the 1920's, and the only one in English. Published to accompany a retrospective of his work at Grand Palais in Paris from September 1997 and The Metropolitan Museum of Art, New York, from March 1998, this volume examines 60 paintings and 100 works on paper by the French court painter and draughtsman, Pierre-Paul Prud'hon (1758-1823). The illustrations have individual commentaries. A contemporary of Jacques-Louis David, Prud'hon won acclaim during the years spanning the French Revolution, the Empire and the Restoration for his graceful paintings of allegorical and mythological subjects and for his handsome portraits. His strong connections with the upper echelons of French government can be seen in his portraits of such figures as Talleyrand and the Empress Josephine. His nudes and other drawings, made from live models, are among the treasures of 19th-century academic art. 0810965208 4to. Seller Inventory # 51237
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