Exotic birds and animals fill the giant canvases of Hunt Slonem (b. 1951), an artist whose brilliantly colorful paintings are imbued with a reverence for nature. While Slonem's work embraces a broad range of subjects—from pre-Columbian ceremonial objects and butterflies to saints, go-go dancers, and Rudolph Valentino—it is his bird paintings, based on his personal aviary, that have brought him the greatest acclaim. He—and the dozens of tropical birds who share his vast Chelsea loft and serve as models for his most spectacular artworks—has been the subject of many television and magazine portraits.
In the first monograph on this rising star, noted art critic Donald Kuspit is unstinting in his praise, placing Slonem in the company of the great artists of the ages.
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Well-known art critic Kuspit (SUNY at Stony Brook; The Rebirth of Painting in the Late Twentieth Century) presents New York painter Slonem (b. 1951) in an opulent book that reflects the artist's own work. Slonem's numinous paintings reveal the world around him, which includes his vast collection of exotic birds, ocelots, and other wildlife, as well as celebrities, saints, and "higher beings." The bold choice of color and a working toward the spiritual create a strong radiance in the paintings, reproductions of which are large enough to allow the viewer to appreciate the brush strokes, work in situ, and more. Images of the artwork are interspersed with images of Slonem's New York living quarters, giving the reader insight into the daily visual stimulation and lighting that triggers his hand. A short biographical outline, list of exhibitions, selected bibliography, and index of plates are included after the plates themselves. The book is a visual feast, but it lacks Kuspit's usual exacting analysis and criticism, providing only approximately 15 pages of essay text. He chooses instead to let the artwork speak for itself. This first comprehensive retrospective on Slonem is recommended for larger public libraries and those specializing in contemporary art or art history. Nadine Dalton Speidel, Cuyahoga Cty. P.L., Parma, OH
Copyright 2002 Reed Business Information, Inc.
A splendidly produced book brimming with colorplates befits the art of Slonem, a painter working primarily in oils to create richly gestural, energetically rendered canvases focusing most arrestingly on an atmospheric realm populated by a flurry of macaws and toucans, tigers, chimps, and rabbits. The excitement generated by the artist's powerful oeuvre merits a sentient interpretation, which Kuspit, a prominent critic of contemporary art, deftly provides in a stimulating discourse on artistic concerns that move beyond the decorative. Pointing to Slonem's particular reverence for birds and other creatures, Kuspit engages readers in the metaphorical nature of the work, which includes murals, mixed media sculpture, and characterful portraits of saints and movie stars. In life, Slonem's space is filled with hundreds of real birds and voluptuous furnishings hearkening to another era. In art, Slonem goes beyond the range of unparalleled expressionist colorist Kokoschka. In paintings such as Ocelots (1999), where images of sleek cats meld into a rich impasto of all-over patterning, Slonem's masterful brushwork also speaks volumes on our fragile environment. Alice Joyce
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