The Wes Anderson Collection - Hardcover

Book 1 of 5: The Wes Anderson Collection

Matt Zoller Seitz

  • 4.37 out of 5 stars
    2,906 ratings by Goodreads
 
9780810997417: The Wes Anderson Collection

Synopsis

This New York Times bestselling overview of Wes Anderson’s filmography features previously unpublished behind-the-scenes photos, artwork, and ephemera.
 
Introduction by Pulitzer Prize–winning author Michael Chabon
 
Writer/director Wes Anderson guides movie/television critic Matt Zoller Seitz through his life and career in this hardcover book-length conversation, woven together with original illustrations and production images from Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, and Moonrise Kingdom.
 
The result is a meticulously designed book that captures and reflects the spirit of Wes Anderson’s movies: melancholy, playful, wise, and wonderfully unique.
 
The Wes Anderson Collection comes as close as a book can to reading like a Wes Anderson film. The design is meticulously crafted, with gorgeous full-page photos and touches like a still representation of Rushmore’s opening montage.” —The A.V. Club
 
“Each page of this book—filled with conversations, photographs and artwork surrounding each film—showcases Anderson’s pop-culture inspirations from Hitchcock and Star Wars to Jacques Cousteau and the French New Wave. Better than most of their kind, the talks reveal a candidness and honesty between critic and director, allowing Seitz to dig around Anderson’s vault and share his discoveries.” —FILTER
 
Also available from Matt Zoller Seitz:
The Wes Anderson Collection: Bad Dads
The Wes Anderson Collection: The Grand Budapest Hotel
The Oliver Stone Experience
Mad Men Carousel
 
Also available:
The Wes Anderson Collection: Isle of Dogs
The Wes Anderson Collection: The French Dispatch

"synopsis" may belong to another edition of this title.

About the Author

Matt Zoller Seitz, a finalist for the Pulitzer Prize in criticism, is the TV critic for New York Magazine and Vulture.com, as well as the editor in chief of RogerEbert.com.
 
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than a hundred hours’worth of video essays about cinema history and style for the Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, “Wes Anderson: The Substance of Style,” was later spun off into a New York Times bestselling hardcover book series: The Wes Anderson Collection (Abrams, 2013) and The Wes Anderson Collection: The Grand Budapest Hotel (Abrams, 2015).
 
Seitz is the founder and original editor of the House Next Door, now a part of Slant Magazine, and the publisher of Press Play, a blog of film and TV criticism and video essays. He is the director of the 2005 romantic comedy Home.
 
Michael Chabon is the Pulitzer Prize–winning author of many novels, including the recent Telegraph Avenue. He lives in Berkeley, California, with his wife and four children.
 
Max Dalton is a graphic artist living in Buenos Aires, Argentina, by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, including The Wes Anderson Collection: The Grand Budapest Hotel (Abrams, 2015). Max started painting in 1977, and since 2008, he has been creating posters about music, movies, and pop culture, quickly becoming one of the top names in the industry.

Reviews

Max Dalton's charming children's book-style illustrations introduce each film with a double-page spread of the movie's principal location, incorporating "fourth wall" views suggested by Anderson's familiar cutaway dollhouse technique, used so well in the opening of Moonrise Kingdom and The Life Aquatic. Designer Martin Venzky unpacks the filmmaker's sources and style—with an inspired deployment of stills, amusingly corny display type, and inventive layouts with images made to resemble postage stamps, scrapbook clippings, and other collectibles—perfectly capturing Anderson's seductively twee combination of obsessive detail and ironic distance. —Christopher Lyon

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