For the first time, a comprehensive Selected Poems in a bilingual edition, by Mexico's greatest living poet. Eyes to See Otherwise is the first extensive selection of poems by leading Mexican poet Homero Aridjis to appear in English. The scope and quality of the translations, by some of America's finest poets, mark the centrality of his work on the map of modern poetry. Aridjis's sources range from Nahuatl chants and Huichol initiation songs to San Juan de la Cruz and the 16th-century Spanish poet Luis de Gangora y Argote. He is, in the words of translator George McWhirter, "a troubadour of love for lost environments, a voice in the wilderness of Mexico City and Mexico." Included in this selection are poems by Aridjis evoking his own life, present and past, his memories always sticking close to his birthplace Contepec, where, on Altamirano Hill, the Monarch butterflies arrive each year. This long awaited Selected Poems enables the reader to witness, from his 1960 collection The Eyes of a Double Vision to new unpublished poemsin a bilingual editionthe poetic and personal evolution of this "visionary poet of lyrical bliss, crystalline concentrations and infinite spaces" (Kenneth Rexroth). Translated by Lawrence Ferlinghetti, Martha Black Jordan, Philip Lamantia, W.S. Merwin, John Frederick Nims, Kenneth Rexroth, Jerome Rothenberg, Brian Swann, Barbara Szerlip, Nathaniel Tarn, Eliot Weinberger, and the editors.
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In 1953 Lawrence Ferlinghetti cofounded City Lights, the first paperback bookstore in the United States, a Mecca for millions. His Coney Island of the Mind is one of the best-selling volumes of poetry by any living American poet. Born in Yonkers, New York, in 1919, Ferlinghetti has received the Robert Frost Memorial Medal and the first Literarian Award of the National Book Foundation.
New Directions continues its public service to literature with this lively introduction to contemporary Mexican poet-diplomat Homero Aridjis. Born in 1940 of Mexican-Greek ancestry, Aridjis begins this book as a somewhat sentimental surrealist, in poems that caught the attention of American poets from Philip Lamantia to W.S. Merwin and Kenneth Rexroth. His poetry eventually moves from lyrical declarations, such as "Knotted up, your cry of silence tells me nothing moss is also growing on my lips " to a more coherent if no less mystical succession of images: "he lifted up the fugitive water, held out the transparent stream, and saw the world on the other side." In between these two phases, translated here by various hands including the above poets and editor McWhirter, Aridjis has an unfortunate brush with the same translatorese that has made it difficult for readers of English to understand the verse of Octavio Paz (as rendered by Eliot Weinberger): the self-conscious word choices of "must I end up dozing to Bach like the gent who snoozes at the concert his day weary with schedules and bills his night exhausted at a show?" from "Questions" are typical. Aridjis's poems have, since the '90s, shown an almost American tendency to deliver a satisfying punch line or irony, a tendency he mediates with a curiously elegant sense of magic: "Waking today I found my shoes at the foot of the bed. Dogs tied by their laces so they won't get separated one from the other. What if, forgetting me, they make off in dreams for my childhood town and never come back?" Readers will get hold of the dreams, here with facing-page Spanish, but return repeatedly.
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