A powerful novel about trauma and forgiveness
Winner of the International Prize for Arabic Fiction
Finalist for the PEN Translation Prize
Finalist for the USA Translation Award
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The author of eighteen novels, the Lebanese writer Rabee Jaber was born in Beirut in 1972. He is the editor of Afaaq, the weekly cultural supplement of Al-Hayat, the daily pan-Arab newspaper.
KAREEM JAMES ABU-ZEID is the award-winning translator of Rabee Jaber’s Confessions and The Mehlis Report, and Dunya Mikhail’s The Iraqi Nights.
"My father used to kidnap people and kill them." Who can resist that opening line? In a long and sometimes rambling narrative, Maroun describes growing up in Beirut during the Lebanese Civil War. His father and older brother disappear for days with no explanation, and no one dares ask where they go. Maroun has an ailing mother, and he lives in the shadow of his dead older brother, who shares his name. He doesn't learn all the family secrets until his older brother tells all while their father is on his deathbed, and the guilt and turmoil almost destroy Maroun. Teens will understand the boy's desire to use education to escape from his existing life—he learns English because he knows he wants to move away from Lebanon. Maroun copes with depression in college as he comes to terms with his personal history and the emotional abuse he endured as a child. Give to teens who enjoy reading coming-of-age novels that take place in other countries, such as Khaled Hosseini's The Kite Runner. VERDICT This is an accessible Middle Eastern novel that will fill a gap in most libraries.—Sarah Hill, Lake Land College, Mattoon, IL
One day in 1976, Maroun, the narrator of this moving short novel from Lebanese author Jaber, is shot and wounded on the demarcation line that divides Beirut. A small child at the time, Maroun loses one family but gains another. "My father used to kidnap people and kill them," Maroun says in the arresting opening sentence about the man who adopts him. This new father has been committing these crimes ever since the murder of his little boy, whose bloody corpse with its tattered clothes was "dumped on the road between the Museum and the Hôtel-Dieu." Maroun grows up in a Beirut where war is almost a constant between 1976 and 1990. His untrustworthy memory and his place in his new family are ever-present concerns in a tortured tale that reveals the amazing ability of people to carve normality out of the most extreme and brutal conditions. Jaber sketches many memorable characters, none more unforgettable than his forever unsettled narrator. (Mar.)\n
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