An demonic force known as the Manitou sets out to avenge the deaths of millions of Native Americans who died at the hands of white men, and Harry Erskine and his Native American companion attempt to save the country. Reprint.
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Graham Masterton (born 1946, Edinburgh) is a British horror author. Originally editor of Mayfair and the British edition of Penthouse, Graham Masterton's first novel The Manitou was released in 1976. This novel was adapted in 1978 for the film The Manitou.
Further works garnered critical acclaim, including a Special Edgar award by the Mystery Writers of America for Charnel House and a Silver Medal by the West Coast Review of Books for Mirror. He is also the only non-French winner of the prestigious Prix Julia Verlanger for his novel Family Portrait, an imaginative reworking of the Oscar Wilde novel The Picture of Dorian Gray.
Masterton's novels often contain visceral sex and horror. In addition to his novels, Masterton has written a number of sex instruction books, including How To Drive Your Man Wild In Bed and Wild Sex for New Lovers.
Modern America is in peril of being sucked down the spiritual drain by dead, angry Indians in this follow-up to Manitou and Revenge of the Manitou (both not reviewed). In the Greenbergs' Manhattan apartment, a hunched-up shadow appears on the wall and tears a humanlike shadow to pieces, while in other parts of America houses, cars, Kentucky Fried Chicken cartons, human corpses, and the Sears Tower are dragged into gaping holes. Thus commences the vengeance of Misquamacus, a Native American spirit who wants to reclaim his land by sucking everything the white man ever built or brought into a shadow world below the earth. There, Aktunowihio, the god of the underworld, will tear the bodies and souls of all white men and women to pieces, so that they will be tortured forever. Harry Erskine, the charlatan fortune teller and reluctant hero who battled and defeated Misquamacus earlier in the series, is drawn into the current battle when he witnesses the spirit manifest himself in the body of a medium with a Central Park West practice, hurl his fist down Mrs. Greenberg's throat and wiggle it through her innards until it emerges out of her vagina, then reverse the process, bringing her insides with it. The skeptical Harry quickly combines the talents of mediums, Indians, and spirits of the dead--including Singing Rock, who was beheaded earlier in the series--to bring the horror to a rapid and dull conclusion. Masterton is a good storyteller, but he exploits revisionist Native American history to detail unrelenting violence. The absurdity of disgorged intestines and forked-out eyeballs panders to juvenile tastes for blood and guts and precludes any possibility of inducing spine-tingling fear. Should Indian spirits ever really take their revenge, with any luck the sinkhole will open under Burial and send it where it belongs. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.
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