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In this second volume of her acclaimed study of Virginia Woolf 's diaries, Barbara Lounsberry traces the English writer's life through the thirteen diaries she kept from 1918 to 1929--what is often considered Woolf’s modernist "golden age." During these interwar years, Woolf penned many of her most famous works, including Mrs. Dalloway, To the Lighthouse, Orlando, and A Room of One's Own. Lounsberry shows how Woolf's writing at this time was influenced by other diarists--Anton Chekhov, Katherine Mansfield, Jonathan Swift, and Stendhal among them--and how she continued to use her diaries as a way to experiment with form and as a practice ground for her evolving modernist style.
Through close readings of Woolf 's journaling style and an examination of the diaries she read, Lounsberry tracks Woolf 's development as a writer and unearths new connections between her professional writing, personal writing, and the diaries she was reading at the time. Virginia Woolf's Modernist Path offers a new approach to Woolf 's biography: her life as she marked it in her diary from ages 36 to 46.
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Barbara Lounsberry is professor emerita of English at the University of Northern Iowa. She is the author of Becoming Virginia Woolf: Her Early Diaries and the Diaries She Read and Virginia Woolf, the War Without, the War Within: Her Final Diaries and the Diaries She Read.
"Lounsberry is the only scholar to treat Woolf 's diaries for themselves--as works of art, as expressions of her private self, and as testing grounds for her experiments in novel writing."--Panthea Reid, author of Art and Affection: A Life of Virginia Woolf
"Offers a fascinating alternative form of biography. Lounsberry is particularly skillful in combining close attention to and interpretation of the details of Woolf 's diary with a fluent sense of her life being lived across the years."--Mark Hussey, author of Virginia Woolf A to Z: A Comprehensive Reference for Students, Teachers, and Common Readers to Her Life, Work, and Critical Reception
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