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"Much has been written about neo-noir's distinction from classic noir . . . but the 13 new essays in this anthology rejuvenate the discussion. Strongly recommended." ―Library Journal"
"Is Neo-Noir anything more than film noir in technicolor? Taking up such latter-day classics as Chinatown , Blade Runner , and Memento , this volume explores how contemporary filmmakers have taken up the challenge of classic film noir and broadened the genre. In this analysis, even the pastel shades of South Beach take on a dark coloring in Miami Vice . These probing essays locate what is neo in Neo-Noir and thus define it as a postmodern genre."―Paul Cantor, author of Gilligan Unbound: Pop Culture in the Age of Globalization
"This collection will serve as a terrific interdisciplinary guide through the chaotic, intriguing world of postmodernist thought as it relates to film and philosophy."―Choice
"Much has been written about neo-noir's distinction from classic noir . . . but the 13 new essays in this anthology rejuvenate the discussion. Conard and his contributors see to it that these essays are accessible to nonacademic readers." ―Library Journal"
"Conrad's collection provides room for abstract thought through a sustained philosophical engagement with the sub-genre. . . . written in 'nontechnical language and require no knowledge of philosophy to appreciate or understand.' ―Film-Philosophy"―
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Book Description Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Film noir--a cycle of American films from the 1940s and 50s--is characterized not only by a constant opposition of light and shadow and a disruptive compositional balance of frames and scenes, but also by dark, foreboding characters and plots and an overri. Seller Inventory # 16315252