The performances by Giulietta Masina as the waif Gelsomina, Richard Basehart as the fool, and Anthony Quinn as the strongman Zampano, have been acclaimed for their power and sometimes ridiculed for their sentimentality. The debates over what these characters and the story represent, and the position of the film within the neorealist genre, continue today. This translation and critical edition of the continuity script for "La Strada" is a guide to the film. The notes to the shooting script enable the reader to reconstruct some of Fellini's changes while shooting the film. The edition also contains an introduction, which analyzes the work's place in film history and provides a number of articles on the film's production. Fellini's most interviews and statements on "La Strada" are included as well.
"synopsis" may belong to another edition of this title.
Until his retirement in 2007, Peter Bondanella was Distinguished Professor of Comparative Literature, Film Studies, and Italian at Indiana University. A member of the European Academy of Sciences and the Arts and past President of the American Association for Italian Studies, Bondanella has written numerous books and articles on Italian literature and cinema and has translated or edited a number of Italian literary classics (Dante, Boccaccio, Machiavelli, Cellini, Vasari). His latest works are A HISTORY OF ITALIAN CINEMA and NEW ESSAYS ON UMBERTO ECO (Eco is shown in the photo on the left with Bondanella on the right). Bondanella now lives in Utah's desert country (St. George, UT) with his two Italian greyhounds Dante and Gianluca and his wife Julia.
"About this title" may belong to another edition of this title.
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Paperback. Condition: Fair. According to the American Film Institute, La Strada is one of the most popular films in cinema history. The performances of Giulietta Masina as the waif Gelsomina, Richard Basehart as the Fool, and Anthony Quinn as the strongman Zampano, who buys Gelsomina from her mother and takes her with him on the road, have been acclaimed for their power and sometimes ridiculed for their sentimentality. The debates over what these characters and the story they enact represent--a Christian parable, a journey of self-discovery, a tale of beauty and the beast--and the position of the film within the neo-realist genre, continue today. This new translation and critical edition of the continuity script for La Strada is the only accurate guide to the film in any language. The notes to the shooting script enable the reader to reconstruct some of Fellini's changes while shooting the film. The edition also contains an introduction which analyzes the work's place in film history and within the so-called crisis of neo-realism, and provides for the first time in English a number of articles on the film's production. Fellini's most important interviews and statements on La Strada are included as well. Finally, two of the best critical analyses of the film, by Frank Burke and Peter Harcourt, are reprinted, along with a number of the contemporary reactions by critics from France (Andre Bazin), Italy (Guido Aristarco), and the United States--including a description of its reception at the Venice Film Festival. The illustrations include some of Fellini's original drawings made during the shooting of the film. Seller Inventory # 00109594314
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Paperback. Condition: Good. According to the American Film Institute, La Strada is one of the most popular films in cinema history. The performances of Giulietta Masina as the waif Gelsomina, Richard Basehart as the Fool, and Anthony Quinn as the strongman Zampano, who buys Gelsomina from her mother and takes her with him on the road, have been acclaimed for their power and sometimes ridiculed for their sentimentality. The debates over what these characters and the story they enact represent--a Christian parable, a journey of self-discovery, a tale of beauty and the beast--and the position of the film within the neo-realist genre, continue today. This new translation and critical edition of the continuity script for La Strada is the only accurate guide to the film in any language. The notes to the shooting script enable the reader to reconstruct some of Fellini's changes while shooting the film. The edition also contains an introduction which analyzes the work's place in film history and within the so-called crisis of neo-realism, and provides for the first time in English a number of articles on the film's production. Fellini's most important interviews and statements on La Strada are included as well. Finally, two of the best critical analyses of the film, by Frank Burke and Peter Harcourt, are reprinted, along with a number of the contemporary reactions by critics from France (Andre Bazin), Italy (Guido Aristarco), and the United States--including a description of its reception at the Venice Film Festival. The illustrations include some of Fellini's original drawings made during the shooting of the film. Seller Inventory # 00109128584
Seller: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condition: Good. According to the American Film Institute, La Strada is one of the most popular films in cinema history. The performances of Giulietta Masina as the waif Gelsomina, Richard Basehart as the Fool, and Anthony Quinn as the strongman Zampano, who buys Gelsomina from her mother and takes her with him on the road, have been acclaimed for their power and sometimes ridiculed for their sentimentality. The debates over what these characters and the story they enact represent--a Christian parable, a journey of self-discovery, a tale of beauty and the beast--and the position of the film within the neo-realist genre, continue today. This new translation and critical edition of the continuity script for La Strada is the only accurate guide to the film in any language. The notes to the shooting script enable the reader to reconstruct some of Fellini's changes while shooting the film. The edition also contains an introduction which analyzes the work's place in film history and within the so-called crisis of neo-realism, and provides for the first time in English a number of articles on the film's production. Fellini's most important interviews and statements on La Strada are included as well. Finally, two of the best critical analyses of the film, by Frank Burke and Peter Harcourt, are reprinted, along with a number of the contemporary reactions by critics from France (Andre Bazin), Italy (Guido Aristarco), and the United States--including a description of its reception at the Venice Film Festival. The illustrations include some of Fellini's original drawings made during the shooting of the film. Seller Inventory # CIN0813512379G
Seller: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condition: Fair. According to the American Film Institute, La Strada is one of the most popular films in cinema history. The performances of Giulietta Masina as the waif Gelsomina, Richard Basehart as the Fool, and Anthony Quinn as the strongman Zampano, who buys Gelsomina from her mother and takes her with him on the road, have been acclaimed for their power and sometimes ridiculed for their sentimentality. The debates over what these characters and the story they enact represent--a Christian parable, a journey of self-discovery, a tale of beauty and the beast--and the position of the film within the neo-realist genre, continue today. This new translation and critical edition of the continuity script for La Strada is the only accurate guide to the film in any language. The notes to the shooting script enable the reader to reconstruct some of Fellini's changes while shooting the film. The edition also contains an introduction which analyzes the work's place in film history and within the so-called crisis of neo-realism, and provides for the first time in English a number of articles on the film's production. Fellini's most important interviews and statements on La Strada are included as well. Finally, two of the best critical analyses of the film, by Frank Burke and Peter Harcourt, are reprinted, along with a number of the contemporary reactions by critics from France (Andre Bazin), Italy (Guido Aristarco), and the United States--including a description of its reception at the Venice Film Festival. The illustrations include some of Fellini's original drawings made during the shooting of the film. Seller Inventory # CIN0813512379A
Seller: My Dead Aunt's Books, Hyattsville, MD, U.S.A.
paperback. Condition: VERY GOOD. 270 clean, unmarked, tight pages; light soiling on outer edges of textblock; very light shelf and corner wear on cover with some fading. Seller Inventory # 105695M
Seller: Cragsmoor Books, Cragsmoor, NY, U.S.A.
Soft cover. Condition: Very Good. Trade paperback. Stiff, shiny wrapps., aqua w. black lettering and b/w photos on cover. Backstr. lt. blue w. black lettering. Sl crease to front cover. Illus. Vi, 270pp. incl. filmography, bibliogr. MINT COPY. Seller Inventory # ABE-1786652380333
Seller: Ammareal, Morangis, France
Softcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Edition 1991. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 1991. Ammareal gives back up to 15% of this item's net price to charity organizations. Seller Inventory # I-335-894
Quantity: 1 available
Seller: Ziesings, Shingletown, CA, U.S.A.
New Brunswick: Rutgers University Press,:, 1991. Second printing, Trade paperback, Fine, 270 pp. A virtually as new copy. Second printing, Trade paperback, Fine, Seller Inventory # 76793