Until recently, fashion was considered the "F-word" in intellectual circles, dismissed as unworthy of serious attention. Yet no area of life, no individual moment, stands outside fashion's discourses. Intuitively, we all know that clothing is a language, incessantly communicating messages about its wearer. But who speaks this language, to whom is it addressed, what does it mean, and how are its meanings established and transformed? On Fashion explores the ways our material, political, psychological, sexual, even intellectual lives are woven into fashion's fabric.
This stimulating collection of essays explores fashion's symbolic and figurative functions in photography, cinema, and video; in consumerism, postmodernism, and feminism; in political and material culture; and in self-definition and subjectivity. They demonstrate the pervasive reach of fashion and its expressions.
This collection contains over sixty photographs and illustrations and includes essays by Barbara Brodman, Mary Ann Caws, Linda Benn DeLibero, Hlne Cixous, Diana Fuss, Cheryl Herr, Karla Jay, Deborah Jenson, Douglas Kellner, Ingeborg Majer O'Sickey, Leslie W. Rabine, Andrew Ross, Sonia Rykiel, Carol Shloss, Kaja Silverman, Maureen Turim, and Iris Marion Young.
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SHARI BENSTOCK is a professor of English at the University of Miami and the author of Women of the Left Bank: Paris, 1900-1940 and Textualizing the Feminine: On the Limits of Genre.
SUZANNE FERRISS is an assistant professor in the liberal arts department at Nova University.
Contemporary urban life provides countless opportunities for us to see ourselves-in hotel and theater lobbies, in restaurants and powder rooms, in train stations and store windows. I love to walk down a city street when I feel well dressed and to catch sight of myself in a store window, trying not to see myself seeing myself. I imagine myself in a movie, freely swinging down the street in happy clothes, on my way. The mirror gives me pictures, and the pictures in magazines and catalogs give me reflections of identities in untold but signified stories. The feminist question is: Whose imagination conjures up the pictures and their meanings?
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