Aime Cesaire has been described by the Times Literary Supplement as likely to "figure alongside the Eliot-Pound-Yeats triumvirate that has dominated official poetic culture for more than fifty years." He was a cofounder and exponent of the concept of negritude and is a major spiritual, political, and literary figure.Cesaire has been read politically as a poet of revolutionary zeal since the 1960s. This collection, the only one in existence in any language to give a truly comprehensive retrospective of Cesaire's poetic production, demonstrates the narrowness of earlier readings that grew out of the climate of Black Power influenced by the essays of Frantz Fanon, another Martinican, who was largely responsible for the ambient view of Csaire a generation ago. It is the first collection to translate And the Dogs Were Silent and i, laminaria. Lyric and Dramatic Poetry, 1946-82 goes beyond anything else in print (in French or in English) in that it locates the issues of Cesaire's struggle with an emerging postmodern vision. It will place Cesaire in a strategic position in the current debate in the U.S. over emergent literature and will show him to be a major figure in the conflict between tradition and contemporary cultural identity.
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Lyric and Dramatic Poetry, 1946-82 goes beyond anything else in print (in French or in English) in that it locates the issues of Cesaire's struggle with an emerging postmodern vision.
A celebrated poet, novelist, and philosopher, AIME CESAIRE is the author of several books, volumes of poetry and numerous plays, including Return to My Native Land, A Season in the Congo and an African version of Shakespeare's The Tempest.
Clayton Eshleman's most recent publications include The Complete Poetry of Cesar Vallejo (University of California Press, 2007), Grindstone of Rapport: A Clayton Eshleman Reader (Black Widow Press, 2008), Anticline (Black Widow Press, 2010), Solar Throat Slashed (a translation of Aime Cesaire's Soleil cou coupe, with A. James Arnold; Wesleyan University Press, 2011), and Endure (a selected translations of Bei Dao, with Lucas Klein; Black Widow Press, 2011). Eshleman is the first poet to realize a huge, researched, and imaginative project, in prose and poetry, on Ice Age cave art: Juniper Fuse: Upper Paleolithic Imagination & the Construction of the Underworld (Wesleyan University Press, 2003). He was also the founder and editor of Caterpillar magazine (1967-1973) and Sulfur magazine (1981-2000). He continues to live with his wife, Caryl, in Ypsilanti, Michigan.
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