Presenting a range of scholarly articles, this volume discusses archival standards in editing, textual criticism and deconstruction, type sizes from the 15th century to the 20th century and the author/editor relationship.
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David L. Vander Meulen is Professor of English at the University of Virginia.
"The Textual Criticism of Visual and Aural Works," G. Thomas Tanselle, John Simon Guggenheim Memorial Foundation; "Martin Boghardt and the Archaeology of the Printed Book," Paul Needham, Princeton University; "Verses in Sermons Again: The Case of Cambridge, Jesus College, MS Q.A.13," Ralph Hanna, Keble College, Oxford; "Royal-Paper Copies of Aldine Editions, 1494-1550," Conor Fahy, University of London; "Printing The Faerie Queene in 1590," Andrew Zurcher, Queens' College, Cambridge; "A Question (Not) to Be Askt: Is Hand D a Copy?," Gerald E. Downs; "The Paper of Shakespeare's Quartos," R. Carter Hailey, College of William and Mary; "Mary Astell's Work toward a New Edition of A Serious Proposal to the Ladies, Part II," E. Derek Taylor, Longwood University; "Henry Fielding in China," Jiaming Han, Peking University; "When Book History Neglects Bibliography: Troubles with the 'Old Canon' in The Reading Nation," Thomas Bonnell, St. Mary's College; "Authors of the Mind: Some Notes on the QSUM Attribution Theory," Stephen Karian, Marquette University; "'Telling It Unabridged': Graham Swift's Revision of Waterland," David Leon Higdon, Texas Tech University"
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