Winner of the National Press Club Prize for Media Criticism.
Companion website: http://www.nyupress.nyu.edu/authors/veil.html
Thirty years ago, the Kerner Commission Report made national headlines by exposing the consistently biased coverage afforded African Americans in the mainstream media. While the report acted as a much ballyhooed wake-up call, the problems it identified have stubbornly persisted, despite the infusion of black and other racial minority journalists into the newsroom.
In Within the Veil, Pamela Newkirk unmasks the ways in which race continues to influence reportage, both overtly and covertly. Newkirk charts a series of race-related conflicts at news organizations across the country, illustrating how African American journalists have influenced and been denied influence to the content, presentation, and very nature of news.
Through anecdotes culled from interviews with over 100 broadcast and print journalists, Newkirk exposes the trials and triumphs of African American journalists as they struggle in pursuit of more equitable coverage of racial minorities. She illuminates the agonizing dilemmas they face when writing stories critical of blacks, stories which force them to choose between journalistic integrity, their own advancement, and the almost certain enmity of the black community.
Within the Veil is a gripping front-line report on the continuing battle to integrate America's newsrooms and news coverage.
"synopsis" may belong to another edition of this title.
On the surface, the increase of African American reporters in the media may signal that they have made significant gains in that arena. But as Professor Pamela Newkirk of New York University outlines in her valuable book Within the Veil, race is still an issue that blacks have to deal with. Riffing on W.E.B. Du Bois' use of "the veil" in his classic book The Souls of Black Folk, Newkirk writes: "Behind the obvious, albeit small, numerical gains, a wide and deep racial and cultural chasm still divides blacks and whites in the newsroom. Despite their heightened visibility, African-American journalists and their minority counterparts, woefully underrepresented in the industry and in news management, are far from integrated into newsroom culture." Charting the development of the black press with the publication of Freedman's Journal in 1827, Newkirk chronicles the endless struggle of blacks to challenge the racist stereotypes that permeate American thought. She details the ordeals of several blacks in the '60s who desegregated TV networks, the most well known example being the late Max Robinson, brother of civil rights leader Randall Robinson. There's also the case of the disgraced Washington Post reporter Janet Cooke, who had to give back her Pulitzer Prize for writing a false story, while white writers guilty of the same crime are given jobs elsewhere. Newkirk also highlights the pressures black reporters feel from their racial group to tell the truth about Afro-American life, which at times goes against what their white counterparts believe. Newkirk also examines Black Entertainment Television and Net Noir, an Internet company, and writes, "African-Americans must use the power of praise and punishment to call attention to the ways in which they are portrayed." --Eugene Holley Jr.
A candid, front-line report on the continuing battle to integrate America's newsrooms and news coverage, now available in paperback.
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