The self-made map argues that during the Renaissance in France a "new cartographic impulse" affected both the "graphic and imaginary forms of literature." In this wide-ranging and fascinating work, Tom Conley demonstrates that as maps were plotted during this period, a new sense of self emerged, one defined in part by the relationship of the self to space.
Conley traces the explosion of interest in mapmaking that occurred with the discovery of the New World, and discusses the commensurate rise of what he defines as cartographic writing - writing that "holds, penetrates, delineates, and explores space." Considering the works of such writers as Rabelais, Montaigne, and Descartes, Conley provides a "navigation" through the printed page, revealing the emerging values of Renaissance France.
Conley also exposes the ideological exercise inherent in mapmaking, arguing that Renaissance cartography is inseparably bound up with the politics of the era. He undertakes close readings of maps and illustrations, discussing the necessity of viewing Renaissance maps in the context of their typographic layout, graphic reproduction, and literary and ideological import.
"synopsis" may belong to another edition of this title.
Tom Conley is professor of French at Harvard University.
“This book is a formidable display of interdisciplinary learning; it offers close and provocative new readings of works by writers unfamiliar and familiar.” —Modern Language Quarterly
“Relating cartography to early modern self-fashioning, Conley provides the concept of ‘the self-made map’ with an extensive graphic material framework that promises to reshape how his readers see early-modern books and maps as material signifiers of self and nation.” —Tim Murray, Cornell University
“Conley has written an interesting book, eclectic in scope, concerning the impact of a new cartographic impulse on literature during the Renaissance in France. . . . The book is handsomely produced and contains numerous illustrations . . . A meaningful addition to the history of cartography.” —Choice
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Hard Cover. Condition: Fine. Dust Jacket Condition: Fine-. 372 pages, illustrated in b&w. This book "argues that dyring the Renaissance in France a "new cartographic impulse" affected both the "graphic and imaginary forms of literature." In this author demonstrates that as maps were plotted during this period, a new sense of self emerged, one defined in part y the relationship of the self to space." FINE HARDCOVER, FINE- DUST JACKET. Dust jacket protected with a clear plastic acid-free jacket. Size: 8vo - over 7¾" - 9¾" tall. Seller Inventory # 034586
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Halbleinen m. Orig. Umschlag : Umschlag rückseitig eingerissen, sonst tadellos, XIII, 372 Seiten, Ill., Kt., Literaturverz. S. 345 - 362 ; 24 x 16 cm 900 g. Sprache: english. Seller Inventory # Z-3033
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Condition: Wie neu. XIII, 372 p., ill. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Overall very good and clean. - THE SELF-MADE MAP argues that during the Renaissance in France a "new cartographic impulse" affected both the "graphic and imaginary forms of literature." In this wide-ranging and fascinating work, Tom Conley demonstrates that as maps were plotted during this period, a new sense of self emerged, one defined in part by the relationship of the self to space. Conley traces the explosion of interest in mapmaking that occurred with the discovery of the New World, and discusses the commensurate rise of what he defines as cartographic writingwriting that "holds, penetrates, delineates, and explores space." Considering the works of such writers as Rabelais, Montaigne, and Descartes, Conley provides a "navigation" through the printed page, revealing the emerging values of Renaissance France. In his examination of the placing of words, letters, and graphic elements in books, he exposes the playful and sometimes enigmatic relation between spatial organization and text. Conley also exposes the ideological exercise inherent in mapmaking, arguing that Renaissance cartography is inseparably bound up with the politics of the era. He undertakes close readings of maps and illustrations, discussing the necessity of viewing Renaissance maps in the context of their typographic layout, graphic reproduction, and literary and ideological import. - TOM CONLEY is professor of French at Harvard University. Among his other books are Film Hieroglyphs (published by the University of Minnesota Press) and The Graphic Unconscious in Early Modern French Writing. He also translated The Fold: Leibniz and the Baroque by Gilles Deleuze and The Year of Passages by Reda Bensmaia, both published by the University of Minnesota Press. ISBN 9780816627004 Sprache: Englisch Gewicht in Gramm: 738 Original half cloth with dust jacket. Seller Inventory # 1173745
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Hardcover. Condition: Very Good. Dust Jacket Condition: Good. First Edition. The author has inscribed to a former owner and signed "Tom" on the half-title page. Also, laid-in is an autograph letter signed (also "Tom"), dated in 1997; on Harvard University letterhead, 8-1/2" x 11", folded in half. The dust jacket has some mostly shallow chipping, up to 1/2" at top of front flap fold; jacket is now protected by a mylar sleeve. Signed Copy. Seller Inventory # 005942
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