It's 1648. Agra, India. Imperial guards and best mates Humayun and Babur keep watch as the final touches are put to the mighty Taj Mahal behind them. The emperor has decreed that no one, except the masons, labourers and slaves who exist within those walls, shall turn to look at the building until it is complete. Now, as the building nears completion and the first light catches on the pure white domes behind them, the temptation to steal a glance at the most beautiful monument the world has ever seen grows stronger. But beauty has a price and Humayun and Babur are about to learn its true cost. Guards at the Taj takes as its starting point an enduring legend and prompts contemporary audiences to revisit questions about art and privilege.
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Rajiv Joseph received his BA in Creative Writing from Miami University and his MFA in Dramatic Writing from NYU's Tisch School of the Arts. He served for three years in the Peace Corps in Senegal. His Broadway play, Bengal Tiger at the Baghdad Zoo was a 2010 Pulitzer Prize finalist for drama, and also awarded a grant for Outstanding New American Play by the National Endowment for the Arts.
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