Ubiquitous in the streets and brothels of nineteenth-century Paris, the prostitute was even more so in the novels and paintings of the time. Charles Bernheimer discusses how these representations of the sexually available woman express male ambivalence about desire, money, class, and the body. Interweaving close textual analysis with historical anecdote and theoretical speculation, Bernheimer demonstrates how the formal properties of art can serve strategically to control anxious fantasies about female sexual power. Drawing on methods derived from cultural studies, psychoanalysis, social history, feminist theory, and narrative analysis, this interdisciplinary classic (available now for the first time in paperback) was awarded Honorable Mention in 1990 for the James Russell Lowell prize awarded by the Modern Language Association for the best book of criticism.
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"[A]n important work. . . . Shifting nimbly from close textual analysis to biographical or scientific information, from psychoanalytic speculation to anecdotes of social history, this original, exciting study offers . . . a truly liberal view of the seriousness and importance of all our representational activities."--Leo Bersani
Charles Bernheimer is Professor of Romance Languages and Comparative Literature at the University of Pennsylvania. He is the author of Flaubert and Kafka and coeditor of In Dora’s Case.
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