Before it became the center of Latin American drug trafficking, the Colombian city of Medellín was famous as a success story of industrialization, a place where protectionist tariffs had created a “capitalist paradise.” By the 1960s, the city’s textile industrialists were presenting themselves as the architects of a social stability that rested on Catholic piety and strict sexual norms. Dulcinea in the Factory explores the boundaries of this paternalistic order by investigating workers’ strategies of conformity and resistance and by tracing the disciplinary practices of managers during the period from the turn of the century to a massive reorganization of the mills in the late 1950s.
Ann Farnsworth-Alvear’s analyses of archived personnel records, internal factory correspondence, printed regulations, and company magazines are combined with illuminating interviews with retired workers to allow a detailed reconstruction of the world behind the mill gate. In a place where the distinction between virgins and nonvirgins organized the labor market for women, the distance between chaste and unchaste behavior underlay a moral code that shaped working women’s self-perceptions. Farnsworth-Alvear challenges the reader to understand gender not as an opposition between female and male but rather as a normative field, marked by “proper” and “improper” ways of being female or male. Disputing the idea that the shift in the mills’ workforce over several decades from mainly women to almost exclusively men was based solely on economic factors, the author shows how gender and class, as social practices, converged to shape industrial development itself.
Innovative in its creative employment of subtle and complex material, Dulcinea in the Factory addresses long-standing debates within labor history about proletarianization and work culture. This book’s focus on Colombia will make it valuable to Latin Americanists, but it will also appeal to a wide readership beyond Latin American and labor studies, including historians and sociologists, as well as students of women’s studies, social movements, and anthropology.
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“A major contribution to Colombian history, both substantive and methodological. Dulcinea in the Factory takes the reader inside the culturally specific and evolving conceptualizations of femininity, paternalism, morality, honor, and modernity in the industrializing city of Medellín.”—Catherine LeGrand, McGill University
“This book not only revises Latin American labor and gender history but sets a new standard for social history. Taking advantage of all contemporary debates about accommodation and resistance and bringing them to a new level of sophistication, Ann Farnsworth-Alvear combines deep theoretical insights with rich ethnographic material.”—Temma Kaplan, State University of New York, Stony Brook
“Dulcinea in the Factory is a magnificent achievement, a remarkably accomplished piece of historical writing.”—William C. Roseberry, New York University
“This compelling study represents a major advance, indeed the maturation of the ‘new social history of national capitalism.’ Farnsworth-Alvear provides a deft accounting of complex exchanges, dialogues, and social negotiations in a changing crucible of class and gender relations.”—Michael F. Jiménez, University of Pittsburgh
"This compelling study represents a major advance, indeed the maturation of the 'new social history of national capitalism.' Farnsworth-Alvear provides a deft accounting of complex exchanges, dialogues, and social negotiations in a changing crucible of class and gender relations."--Michael F. Jimenez, University of Pittsburgh
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