McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’s Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.
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Bryan McCann is Assistant Professor of Latin American History at Georgetown University.
"No Latin American country offers more for the study of popular culture through music than Brazil. Bryan McCann's revelation of this neglected source will delight both Brazilian and non-Brazilian readers."--Thomas Skidmore, author of "Black into White: Race and Nationality in Brazilian Thought"
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