Dietrich Icon - Softcover

Softcover

ISBN 10: 082233819X ISBN 13: 9780822338192

Publisher: Duke University Press Books, 2007

Synopsis

Few movie stars have meant as many things to as many different audiences as the iconic Marlene Dietrich. The actress-chanteuse had a career of some seventy years: one that included not only classical Hollywood cinema and the concert hall but also silent film in Weimar Germany, theater, musical comedy, vaudeville, army camp shows, radio, recordings, television, and even the circus. Having renounced and left Nazi Germany, assumed American citizenship, and entertained American troops, Dietrich has long been a flashpoint in Germany’s struggles over its cultural heritage. She has also figured prominently in European and American film scholarship, in studies ranging from analyses of the directors with whom she worked to theories about the ideological and psychic functions of film. Dietrich Icon, which includes essays by established and emerging film scholars, is a unique examination of the many meanings of Dietrich.

Some of the essays in this collection revisit such familiar topics as Germany’s complex relationship with Dietrich, her ambiguous sexuality, her place in the lesbian archive, her star status, and her legendary legs, but with fresh critical perspective and an emphasis on historical background. Other essays establish new avenues for understanding Dietrich’s persona. Among these are a reading of Marlene Dietrich’s ABC—an eclectic autobiographical compendium containing Dietrich’s thoughts on such diverse subjects as “steak,” “Sternberg (Joseph von),” “Stravinsky,” and “stupidity”—and an argument that Dietrich manipulated her voice—through her accent, sexual innuendo, and singing—as much as her visual image in order to convey a cosmopolitan world-weariness. Still other essays consider the specter of aging that loomed over Dietrich’s career, as well as the many imitations of the Dietrich persona that have emerged since the star’s death in 1992.

Contributors. Nora M. Alter, Steven Bach, Elisabeth Bronfen, Erica Carter, Mary R. Desjardins, Joseph Garncarz, Gerd Gemünden, Mary Beth Haralovich, Amelie Hastie, Lutz Koepnick, Alice A. Kuzniar, Amy Lawrence, Judith Mayne, Patrice Petro, Eric Rentschler, Gaylyn Studlar, Werner Sudendorf, Mark Williams

About this title

From the Publisher:

"Gerd Gemünden and Mary R. Desjardins convincingly suggest, and the essays together prove, that Dietrich is a figure who is interesting not just in herself but also as a prism reflecting discourses on aging, stardom, feminism, film theory, authorship, authenticity, performance, and masquerade, as well as audience projections ranging from Third Reich condemnation to lesbian cult fandom."--Pamela Robertson Wojcik, author of Guilty Pleasures: Feminist Camp from Mae West to Madonna

"Most works on actresses are largely biographical in nature, with some critical evaluation of particular films and stage appearances thrown into the mix. This anthology by Gerd Gemünden and Mary R. Desjardins, however, presents serious historical and theoretical work on Dietrich's star image and career--all expressed in clear and readable language, devoid of `jargon.'"--Lucy Fischer, author of Designing Women: Cinema, Art Deco, and the Female Form

From the Back Cover:

"Most works on actresses are largely biographical in nature, with some critical evaluation of particular films and stage appearances thrown into the mix. This anthology by Gerd Gemunden and Mary R. Desjardins, however, presents serious historical and theoretical work on Dietrich's star image and career--all expressed in clear and readable language, devoid of 'jargon.'"--Lucy Fischer, author of "Designing Women: Cinema, Art Deco, and the Female Form"

About this edition

• Publisher: Duke University Press Books
• Publication date: 2007
• ISBN 10: 082233819X
• ISBN 13: 9780822338192
• Binding: Paperback
• Number of pages: 432
• Editor: Gerd Gemà ¼nden, Mary R. Desjardins