Through all-new, full-color photography, Stanford White, Architect is the first book to explicitly feature the work of the principal genius of the illustrious American architecture firm of McKim, Mead & White. The firm was also a prime mover in the realm of residential design, with Stanford White as its visionary head. As an architect of opulent houses—in Newport, Rhode Island, along the Hudson, on the Long Island Gold Coast, and elsewhere—Stanford White had few peers. His genius for this form is expressed nowhere more wonderfully than in such personal masterpieces as his country home Box Hill and his city home in Gramercy Park. Along with residential commissions for such eminent American families as the Vanderbilts, Astors, Pulitzers, Paynes, and Whitneys, Stanford White lent his eye and hand to New York’s Pennsylvania Station, Brooklyn Museum, The American Academy in Rome, and the Boston Public Library, as well as many diverse commissions, including social clubs, public buildings, churches, monuments, university buildings, and many other forms, each of which is represented in this landmark volume.
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Stanford White (1853-1906), arguably the most celebrated American architect of his day, was the visionary genius of the illustrious architecture firm McKim, Mead & White. A defining figure of the so-called Gilded Age, White lived an extravagant life, which ended prematurely in a sensational death. His celebrity as a result was such that perceptions of the man have to some degree distracted attention from an extraordinary body of work. Now, more than a century since his passing, the enduring quality of White's architectural legacy becomes ever more apparent as the circumstances of his life and death fade to the background. In acknowledgment of this legacy, Stanford White Architect comprehensively explores White's sumptuously rich oeuvre--from the residences he designed for himself and his wife, Bessie, both at Box Hill in Saint James, Long Island, and at Gramercy Park in New York; to the extraordinary and opulent houses he deigned for others, such as Rosecliff in Newport, Rhode Island, and the Payne Whitney House in New York; to those works beyond the residential, including such masterpieces as Newport Casino Theatre in Rhode Island, the Century Association in New York, and the no longer standing Moorish fantasy cum pleasure pavilion Madison Square Garden. Stanford White Architect will serve for generations to come as a vivid testament to a resplendent life in architecture.
"Stanford White lived extravagantly and had died sensationally, and familiarity with both circumstances would have colored anyone's perception of the architect's professional accomplishments. The passage of time since White's death in 1906 makes it easier to move White's celebrity towards the background and to focus instead on the enduring and extraordinary quality of his work." --from the authors' Prologue
Stanford White Architect brings a long awaited focus to the work of this luminary of classical American architecture.
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