It's the 1980s and the politics of the New York theater scene have taken yet another turn. Masochism is out and feminism is in, Jews are out and Germans are in, race is out and gender is in, and everyone's fighting (and rewriting) for a piece of the pie. Jewish director Jim Minsk disappears during a trip to the South. Black playwright Ian Ball writes the all-female play Reckless Eyeballing in hopes of getting off the "sex-list." Preeminent playwright Jack Brashford, claiming the Jews stole all his black material, decides to write about Armenians. In the background, an unknown assailant dubbed the "Flower Phantom" runs loose through the city shaving heads of prominent black feminists (to the secret delight of black men). In this hilarious, devastating, but also deeply sympathetic novel, Ishmael Reed turns characters on their backs, sides, tops and bottoms to expose the multiple hypocrisies at the heart of American culture.
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Ishmael Reed is the author of over twenty-five books including Mumbo Jumbo, The Last Days of Louisiana Red, Yellow Back Radio Broke-Down and Juice!. He is also a publisher, television producer, songwriter, radio and television commentator, lecturer, and has long been devoted to exploring an alternative black aesthetic: the trickster tradition, or Neo-Hoodooism as he calls it. Founder of the Before Columbus Foundation, he taught at the University of California, Berkeley for over thirty years, retiring in 2005. In 2003, he received the coveted Otto Award for political theater.
A Jewish stage director is killed by a mob of anti-Semitic "Christians," a black female playwright flees the New York celebrity rat race, a young Caribbean playwright becomes a huge (but, he realizes, hollow) success, a masked black man shaves feminists' heads, an Archie Bunkerish Irishman sees the lightand yet nothing much seems to happen in Reed's (Mumbo Jumbo latest satire. Most of the book is devoted to long monologues by various characters against "the enemy": black men, black women, sexists, feminists, Jews, gentiles and occasional combinations. There is one hilarious scene, however, concerning a play that seeks to rehabilitate Eva Braun (portrayed as a victim like everyone else). The view of life at the top in a British colony in the Caribbean is devastating in its depiction of how rotten the ruling class can be to its own people. At the book's dreamy end, novelist-playwright-poet Reed seems to agree with Pogo: the enemy is us.
Copyright 1986 Reed Business Information, Inc.
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Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First UK edition, a near fine hardback in similar dustwrapper. Reckless eyeballing was the "crime" of a Black man looking at a White women, for which many African Americans paid with their lives. Reed turns his viciously satirical pen on the New York theatrical scene. Seller Inventory # 2080906
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