This groundbreaking classic, now reissued, gives a brilliant perspective on the cultural turmoil of the radical sixties and its impact on today's world, as reflected in the art of the time.
It describes the social, historical and philosophical context of modern art and culture from a Christian perspective, including much valuable material on Western European art from the Renaissance onward.
A respected jazz critic as well as Professor of Art History at the Free University of Amsterdam, Rookmaaker moves freely between the worlds of high culture, popular art and music and Christian faith.
"synopsis" may belong to another edition of this title.
H.R.ROOKMAAKER (1922–1977) grew up in the Dutch East Indies. As a young man in wartime Holland, he was interned for distributing anti-Nazi leaflets and became a Christian during that time. In 1948 a lifelong friendship with Francis Schaeffer began. In 1959 Rookmaaker published his doctoral thesis on the artist Gauguin, and in 1965 he was invited to the Chair of Art History at the Free University of Amsterdam. Rookmaaker was also highly respected as a jazz critic.
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Paperback. Condition: Very Good. This groundbreaking classic, now reissued, gives a brilliant perspective on the cultural turmoil of the radical sixties and its impact on today's world, as reflected in the art of the time. It describes the social, historical and philosophical context of modern art and culture from a Christian perspective, including much valuable material on Western European art from the Renaissance onward. A respected jazz critic as well as Professor of Art History at the Free University of Amsterdam, Rookmaaker moves freely between the worlds of high culture, popular art and music and Christian faith. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR001592395
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