The Travel Diaries of Peter Pears, 1936-1978 - Softcover

Pears, Peter; Reed, Peter

Softcover

ISBN 10: 0851157416 ISBN 13: 9780851157412

Publisher: BOYE6, 1999

Synopsis

This volume brings together all the travel diaries of Sir Peter Pears (1910-1986), principal interpreter of Britten's works. Pears accompanied Britten on many of his trips and the record of their tour of the Far East in 1955 is of special interest. Here the sound of the gamelan orchestras enchanted Britten and deeply influenced his musical development.

About this title

Review

At the height of their careers, tenor Peter Pears and composer Benjamin Britten traveled the globe, both to give performances and for pleasure. Pears, not a diarist in his daily life, had the habit of keeping journals while he was away--though even those were irregular. His diaries, most from the mid-1950s to the late '70s, are sometimes sketchy, even cryptic, but have been supplemented by Philip Reed's excellent editing and by letters and other material. The sections that were previously published (often in the Aldeburgh Festival's annual program book) have the virtue of a full narrative flow, and Pears reveals himself as an alert if unremarkable observer of food, art, flora, fauna, and people.

The couple's Asian tour in 1955-56 was deeply significant for Britten's subsequent output, especially his Church Parables. Pears describes their attendance at a performance (by a Japanese school group) of the Noh play Sumidagawa--the basis, eight years later, of Britten's first parable, Curlew River. The experience was thrilling to them both. Pears's comments are less worthwhile for their insight into the composer's thinking than for the sensation they give of being in the room at a moment of inspiration. The diaries are filled with celebrated friends and the aura that attended two famous musicians (traveling from Moscow to Armenia, a planeload of people bursts into applause when it is announced that Britten and Pears are among the passengers). The final segments were written when Pears made his Metropolitan Opera debut (at 64) in Death in Venice, and when he returned four years later, after Britten's death, to appear in Billy Budd.

This volume, essentially a footnote to studies on Britten and Pears, is one of the Aldeburgh Studies in Music series, which comprises a usefully broad range of titles examining Britten's techniques and influences. --David Olivenbaum

From the Back Cover

PETER PEARS's reputation as an outstanding and distinctive tenor is grounded in his interpretations of Benjamin Britten's works; their partnership of thirty years significantly shaped and defined musical developments not only in England but on a broader plane. Throughout their busy professional lives they travelled extensively, on concert tours and on holiday, finding fresh stimulus in change. Pear's twelve travel diaries, brought together in this volume, record much of that travel and provide valuable contextual material on the musical development of both Pears and Britten.

The first diary dates from 1936, the year before his friendship with Britten began, when he went on tour to North America with the New English Singers. Other diaries record the five-month tour to the Far East and the important encounters (especially for Britten) with the gamelan music of Bali and the Japanese Noh theatre; visits to Russia as guests of Mstislav Rostropovich and his wife Galina Vishnevskaya, where they met significant figures from Russian musical life; and attendance at the Ansbach Bach Festival when Pears was at the height of his career. Also recorded are holidays in the Caribbean and Italy, a concert tour through the north of England, and accounts of the rehearsals and performances of the New York premieres of Billy Budd and Death in Venice.

Edition details

• Publisher: BOYE6
• Publication date: 1999
• ISBN 10: 0851157416
• ISBN 13: 9780851157412
• Binding: Paperback
• Language: English
• Number of pages: 278
• Editor: Reed Philip