Jan Swynnoe's study is concerned with the special British contribution to film music, detailing how the idiosyncracies of British film, and of the British character, set it apart from its Hollywood counterpart. She shows how the differences between the two industries in all aspects of film making variously affected composers on both sides of the Atlantic.In the mid 1930s, when film composers in America were perfecting the formulae of the classical Hollywood score, film music in Britain scarcely existed; within a year or so, however, top British composers were scoring British films. How this transformation was brought about, and how established British concert composers, including Vaughan Williams and Arnold Bax, faced the challenge of the exacting and often bewildering art of scoring for feature film, is vividly described here, and the resulting scores compared with the work of seasoned Hollywood composers. JAN SWYNNOE researched the material on which her book is based over several years, at the same time pursuing her musical life as pianist, percussionist and composer.
"synopsis" may belong to another edition of this title.
Jan Swynnoe researched the material on which her book is based over several years, at the same time pursuing her musical life as pianist, percussionist and composer.
This acute and entertaining book will be indispensable for film-music buffs and enthusiasts for British music generally. Swynnoe writes out of deep knowledge and love of the subject. BBC MUSIC MAGAZINE A timely and persuasive critical work on British film scoring, the book makes a significant contribution to a subject which has been largely neglected. ALBION An extremely interesting book on a subject which has barely begun to be explored in detail.. Equally valuable as a contribution to the cartography of the lost continent of British music as it is to that of British cinema. JOURNAL OF BRITISH CINEMA & TELEVISION
"About this title" may belong to another edition of this title.
Shipping:
US$ 7.29
From United Kingdom to U.S.A.
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR010057856
Quantity: 1 available
Seller: HALCYON BOOKS, LONDON, United Kingdom
hardcover. Condition: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING. Seller Inventory # mon0000917549
Quantity: 1 available
Seller: Hollywood Canteen Inc., Toronto, ON, Canada
Hardcover. Condition: Good. 2019. Seller Inventory # 99295996
Quantity: 1 available
Seller: Cotswold Internet Books, Cheltenham, United Kingdom
1st edition. Pages clean; binding tight Used - Very Good. VG hardback in VG dust jacket. Seller Inventory # BOOKS187653I
Quantity: 1 available
Seller: Henffordd Books, Herefordshire, United Kingdom
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. 1st edition 2002. Signed by the author to the title page. Slight rubbing to edges of dust-jacket, now protected using removable clear wrap, otherwise in excellent condition. Next day dispatch by Royal Mail in sturdy, recyclable packaging. 1000's of satisfied customers! Please contact us with any enquiries. Signed by Author(s). Seller Inventory # 021915
Quantity: 1 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 169763-n
Quantity: 1 available
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # L1-9780851158624
Quantity: Over 20 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 169763
Quantity: 1 available
Seller: Grand Eagle Retail, Fairfield, OH, U.S.A.
Hardcover. Condition: new. Hardcover. A study of the British contribution to film music, detailing the idiosyncracies of British film, and showing how the differences between it and Hollywood affected composers on both sides of the Atlantic.Jan Swynnoe's study is concerned with the special British contribution to film music, detailing how the idiosyncracies of British film, and of the British character, set it apart from its Hollywood counterpart. She shows how the differences between the two industries in all aspects of film making variously affected composers on both sides of the Atlantic.In the mid 1930s, when film composers in America were perfecting the formulae of the classical Hollywood score, film music in Britain scarcely existed; within a year or so, however, top British composers were scoring British films. How this transformation was brought about, and how established British concert composers, including Vaughan Williams and Arnold Bax, faced the challenge of the exacting and often bewildering art of scoring for feature film, is vividly described here, and the resulting scores compared with the work of seasoned Hollywood composers. JAN SWYNNOE researched the material on which her book is based over several years, at the same time pursuing her musical life as pianist, percussionist and composer. A study of the British contribution to film music, detailing the idiosyncracies of British film, and showing how the differences between it and Hollywood affected composers on both sides of the Atlantic. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780851158624
Quantity: 1 available
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # L1-9780851158624
Quantity: Over 20 available