Items related to A History of Experimental Film and Video
Synopsis
Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In this book A.L. Rees tracks the movement of the film avant-garde between, on the one hand, the cinema, and, on the other hand, modern art (with its post-modern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse.
This is the first major history of avant-garde film and video to be published in more than twenty years. Ranging from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 90s, this remarkable study will introduce a generation of new readers to avant-garde film as well as provoking students and specialists to further reflection and debate.
This is the first major history of avant-garde film and video to be published in more than twenty years. Ranging from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 90s, this remarkable study will introduce a generation of new readers to avant-garde film as well as provoking students and specialists to further reflection and debate.
"synopsis" may belong to another edition of this title.
About the Author
A.L. Rees tracks the movement of the avante-garde film between, on the one hand, the cinema, and, on the other hand, modern art (with its postmodern coda). He also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse.
"About this title" may belong to another edition of this title.
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A History of Experimental Film and Video
Published by
British Film Institute 01/03/1999, 1999
ISBN 10: 0851706819
ISBN 13: 9780851706818
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A History of Experimental Film and Video
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A History of Experimental Film and Video
Published by
Bloomsbury Publishing PLC, United Kingdom, London, 1999
ISBN 10: 0851706819
ISBN 13: 9780851706818
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Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
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Paperback. Condition: Very Good. Avante-garde film is in a constant state of change and redefinition. In this history, A.L. Rees tracks the movement of the avante-garde film between, on the one hand, the cinema, and, on the other hand, modern art (with its postmodern coda). He also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse. This history of avante-garde film and video ranges from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR003213759
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Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # GRP21281894
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A History of Experimental Film and Video
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Condition: Acceptable. Used - Acceptable. Ex-library with wear - may contain significant amounts of highlighting and underlining in pen or pencil. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-C-077-03538
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A History of Experimental Film and Video
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Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-C-077-03540
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