A History of Experimental Film and Video

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9780851706818: A History of Experimental Film and Video

Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In this book A.L. Rees tracks the movement of the film avant-garde between, on the one hand, the cinema, and, on the other hand, modern art (with its post-modern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse.

This is the first major history of avant-garde film and video to be published in more than twenty years. Ranging from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 90s, this remarkable study will introduce a generation of new readers to avant-garde film as well as provoking students and specialists to further reflection and debate. 

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From the Back Cover:

Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse.

In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts.

The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.

About the Author:

A.L. Rees tracks the movement of the avante-garde film between, on the one hand, the cinema, and, on the other hand, modern art (with its postmodern coda). He also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse.

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Published by British Film Institute (2008)
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Book Description BRITISH FILM INSTITUTE PUBLICATIONS, LONDON, 1999. Encuadernacion original. Book Condition: NUEVO / NEW. 1ª edicion. REES, A. L. A HISTORY OF EXPERIMENTAL FILM AND VIDEO. FROM THE CANONICAL AVANT-GARDE TO CONTEMPORARY BRITISH PRACTICE. LONDON, 1999, viii 152 p. +laminas fuera texto Encuadernacion original. Nuevo. Bookseller Inventory # 42242

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