PARTICIPATION /ANGLAIS (DOCUMENTS OF CO) - Softcover

BISHOP CLAIRE

Softcover

ISBN 10: 0854881476 ISBN 13: 9780854881475

Publisher: WHITECHAPEL GAL, 2006

Synopsis

Part of the acclaimed 'Documents of Contemporary Art' series of anthologies. This title explores the desire to move viewers out of the role of passive observers and into the role of producers. Participation begins with writings that provide a theoretical framework for relational art, with essays by Umberto Eco, Roland Barthes, Peter Bürger, Jean-Luc Nancy, Edouard Glissant, Félix Guattari, as well as the first translation into English of Jacques Rancière's influential 'Problems and Transformations in Critical Art'. This anthology also includes central writings by such artists as Lygia Clark and Hélio Oiticica, Joseph Beuys, Felix Gonzalez-Torres, Thomas Hirschhorn, Rirkrit Tiravanija, and features recent critical and curatorial debates, with discussions by Lars Bang Larsen, Nicolas Bourriaud, Hal Foster and Hans-Ulrich Obrist.

About this title

About the Author

Claire Bishop is the author of Installation Art: A Critical History and a contributor to many art journals, including ArtForum, Flash Art, and October. She is a Lecturer in History of Art at the University of Warwick.

Review

A rigorous introduction to debates on the relations between art and society, community and collective agency, from the rise of socially based art in the 1960s to the present....What is an authentic concept of contemporary democracy, and how can art address it? What is the social value of participatory authorship, and what are the aesthetic limits of the social turn in art? These are crucial questions today, and this is an inexhaustible resource for those who want to answer them.

(Viktor Misiano, Curator and Chief Editor of Moscow Art Magazine)

Claire Bishop has distilled an opinionated treasury of analytical writings, empirical narration, and curatorial criticism. Her editorial enterprise results in a volume that lays out key concepts intrinsic to recent participatory art practices and illuminates a cross-section of social dynamics such practices activate and express.

(Julie Ault, artist, co-founder of Group Material)

The current focus on relational aesthetics seems to have been largely detrimental to a more complex, nuanced and art-historically informed discussion on participatory practices. Claire Bishop's thoughtful anthology will hopefully begin to remedy this situation. Her book provides the theoretical and historical tools that are essential to perform a closer reading of participatory practices, current and past. Precisely organized and carefully selected, this anthology will surely be consulted widely, both by professionals and students. To its usefulness and clarity, Bishop's book adds a concern for a geographically expanded field of inquiry, so that her version of history is gladly one that does not disregard the evidence -- as much recent writing unfortunately still does -- when it comes from outside the well-trodden paths of the Western canon.

(Carlos Basualdo, Curator of Contemporary Art, Philadelphia Museum of Art)

Edition details

• Publisher: WHITECHAPEL GAL
• Publication date: 2006
• ISBN 10: 0854881476
• ISBN 13: 9780854881475
• Binding: Paperback
• Language: English
• Number of pages: 240