THE REVOLUTION in typesetting - a revolution that over the past two decades has eliminated a five-hundred-year-old system of hot metal production and replaced it with one of photo-generated and computer-driven composition - shows no sign of winding down. This book, more than any other we know, traces the steps that went into that revolution and simultaneously makes the argument that the letter forms themselves are in process of evolution. Tracy argues that, whether they are of the sixteenth or the twentieth century, the forms that comprise our alphabet are subject to the same rules of good taste, proportion, and clarity that have always obtained. But what we face today is vastly different from fifty years ago. For the first time, new technology has made the proliferation (and, as some would maintain, debasement) of letter forms fast and easy (or quick and dirty.)
With fifty years of professional experience on both sides of the Atlantic (including thirty years as head of type design for the British Linotype Company), Tracy is in a unique position to make this argument and arrive at his sad conclusion: the design of distinguished, contemporary typefaces is far outnumbered by the mediocre and downright bad. Part of the reason for this deplorable deterioration is a lack of critical analysis of the particular esthetics involved. This step-by-step examination of type-design esthetics is precisely what Tracy provides here, while avoiding both the promoter's hype and the manufacturer's claims. Here are the gut issues of what makes type good or bad, legible or unreadable. Extensively illustrated with both typefaces and line drawings, this book belongs on the shelf of anyone interested in thehistory of letters or in the artistry and peculiar problems that lie behind their production.
"synopsis" may belong to another edition of this title.
Typographer, writer, and designer of books, magazines, and newspapers, Walter Tracy was born in 1914 and began his career as a compositor. After several years in advertising, he went on to direct the English Linotype letter design program from 1947 to the mid-1970s. He served as typographic adviser to the London Times after Stanley Morison's death, where he adapted Morison's Times New Roman designs for the demands of modern printing. A specialist in typefaces for newspapers, Tracy also designed a number of particularly successful non-roman faces. He died in 1995.
"About this title" may belong to another edition of this title.
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. The dust jacket has a soiled spot on the front about 2.5" from the top and 1" from left edge, top front corner is torn, small tear towards lower corner, some light spine wear, price unclipped. Blue cloth boards are nice and clean as is the book's interior. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011. Seller Inventory # 08340
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Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. A very good copy for its age, in a slightly damaged dust jacket, of the first edition, first printing, of this overview of the history of printing type. Dust Jacket: pale blue paper with darker blue lettering to front and spine; very clean and bright; some fading to both flap folds and erosion to the bottom section of both flap folds (probably water damage), greater loss to rear fold (2") than to the front (1"); small bump to top of spine, no loss; no fading to spine; not price clipped (now protected). Cover: navy blue cloth covered boards with blind stamped lettering to front and gilt lettering to spine; clean and bright but some marking to rear outer edge adjacent to fading and loss on dust jacket (may be related); overall in very good condition for a 30+ year old book. Internally: very clean and tightly bound; small, discreet book plate from previous owner to front paste down; no other markings or inscriptions; slight signs of water damage to bottom outer corner of last 30 pp approx. Illustrated throughout in black and white. 224 pp. This is a rare and collectable book and the price has been reduced to accommodate the small amounts of damage. Seller Inventory # 003093
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FIRST EDITION, NEAR FINE IN PROTECTED DUSTWRAPPER (SLIGHTY FADED TO THE SPINE). 219 PAGES. Seller Inventory # 30522
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