A bumper crop of the best writing by women on women and plants
Since prehistory, plants--as sources of food, medicine, clothing, beauty, and life itself--have been the province of women. Yet no previous book has attempted to bring together the rich literature this husbandry has inspired. This burgeoning collection amply addresses that lack, with more than three dozen selections of nonfiction and poetry.
As in Intimate Nature, their previous anthology on women and animals (edited with Deena Metzger), Linda Hogan and Brenda Peterson illuminate their subject from a range of perspectives. Here are curranderas and craftswomen whose legacy of plant wisdom safeguards our connection to the green world; botanists and geneticists; and visionaries like Rachel Carson, who show us the world--and our power to protect or destroy it--in a blade of grass. Here are Zora Neale Hurston on voodoo herbs, Sharman Apt Russell on the perfume of plants, Annick Smith on huckleberries, Marjorie Stoneman Douglas on the Everglades' "river of grass," Isabel Allende on the language of flowers, Susan Orleans on "Orchid Fever," Diane Ackerman on the rain forest, and Kathleen Norris on "Dreaming of Trees." Here is an eloquent "ode to mold," a paean to mulch, an elegy for elders. Here is a book that celebrates an ancient and ongoing relationship in a new and appealing way.
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Linda Hogan has published several books of poetry, essays, and fiction. She lives in Colorado.
Brenda Peterson is the author of three novels, two collections of essays, and numerous articles. She lives in Seattle.
The second volume in Hogan and Peterson's trilogy on women and the natural world (following Intimate Nature: The Bond Between Women and Animals), this meditative, conscientious collection of 39 poems and essays ranges from personal to scientific entries written by women from all walks of life (including expected names, like Rachel Carson, Diane Ackerman, Kathleen Norris and Alice Walker, as well as more offbeat choices, like Isabel Allende and Zora Neale Hurston). Allende's tribute to her native Chile, from where she brought soil and forget-me-nots to replant in exile, is particularly moving, as is the wry poem Mulch by Linda Hasselstrom (Windbreak), in which the poet imagines that a biodegradable mash of photos, bills and old love letters keeps her garden free of weeds. Some pieces are light and sociable, like Sharman Apt Russell's essay on the mores of flower giving, while others are deliberate acts of feminist consciousness raising, such as psychologist Jeanne Achterberg's sociopolitical history of female homeopaths in medieval Europe who were murdered because of their seemingly magical remedies. Marine biologist Sylvia Earle takes readers on a walk on the ocean floor; Anita Endrezze compels us to admire kernels of corn as she memorializes her Mexican Indian heritage; biochemist Linda Jean Shepherd enjoins others to consider the ecological value of weeds. Not merely for nature lovers, this provocative collection ranks with the best anthologies of women's writing. Agents, Elizabeth Wales and Beth Vesel.
Copyright 2001 Cahners Business Information, Inc.
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