Book by Colin Westerbeck
"synopsis" may belong to another edition of this title.
Close's enormous, head-on portraits make us acutely aware that objectivity is a pose. Recently, this photo-realist painter has branched out in different directions. His Polaroid photographs of nudesover-lifesize, multipanel assemblagesare anatomically detailed yet erotically neutral. Their relaxed subjects are presented warmly instead of clinically, as we had come to expect of his work; some of them even smile. Gargantuan, multidot paintings reminiscent of Seurat's pointillist style smudge their way toward realism. Close's recent pictures of his daughter and his friends combine a soft, impressionistic surface with an ultrarealist attitude. With some 250 illustrations (50 in color), this monograph consists of two essays, both of which argue that Close has at least as much in common with conceptualism and minimalism as with photo-realism. Lyons is the author of Close Portraits, Storr of Philip Guston.
Copyright 1987 Reed Business Information, Inc.
"Wunderkind" of the 1970s, Close's Photo-Realist portraits are revered icons in the contemporary art world. This is the first monograph devoted to the artist; it is arranged into sections for essays, plates for paintings and drawings, photographs and multiples, exhibition history, selected bibliography, and index of works. Unfortunately, certain production aspects undercut the book's effectiveness: a hard-to-read choice of typeface for the text and mediocre reproductions of some of the illustrations, many showing the artist at work. Little has been published on Close, outside of periodical literature, so this book does provide useful, consolidated information for patrons of specialized and art school libraries. Paula A. Baxter, Museum of Modern Art Lib., New York
Copyright 1987 Reed Business Information, Inc.
"About this title" may belong to another edition of this title.
Seller: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Condition: New. *Price HAS BEEN REDUCED by 10% until Monday, Dec. 1 (sale item)* 28 pp., paperback, BRAND NEW! - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Seller Inventory # ZB761729
Seller: Chaparral Books, Portland, OR, U.S.A.
Paperback. Condition: Very Good. First Edition. Text and images unmarked. The wrapper shows some light handling. 4to. 28pp. Seller Inventory # NOWcloCW
Seller: Lorrin Wong, Bookseller, Los Angeles, CA, U.S.A.
28 pages, illustrated. Small scuff on front wrapper (cover) otherwise a clean, unmarked, complete very good+ paperback book in decorative wrappers (soft cover book). Seller Inventory # 2562001
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 28 pages, very good condition, no internal marks. Concerns the artist s Polaroid photography. Seller Inventory # ChClAr15
Seller: Lorrin Wong, Bookseller, Los Angeles, CA, U.S.A.
28 pages, illustrated. Fine in decorative wrappers (soft cover book). Seller Inventory # 2562000
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First edition. Softcover. 28 pages. Exhibition catalog for a show that ran February 4 through April 16, 1989 at the The Art Institute of Chicago and then November 8, 1989 through January 7, 1990 at the Friends of Photography. Essay by Colin Westerbeck. Includes 24 illustrations with most in color. A very near fine copy in wrappers. Seller Inventory # 158917
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Wrappers. Condition: Fine Condition. 28 pp., 25 photographs 20 in color. Published on the occasion of the exhibition from The Art Institute of Chicago, Chicago IL February 4-April 16, 1989 and The Friends of Photography, San Francisco CA November 8-January 7, 1990. Seller Inventory # 006446