Items related to First Language (Juniper Prize for Poetry)

First Language (Juniper Prize for Poetry) - Hardcover

Kleinschmidt, Edward

 
9780870236990: First Language (Juniper Prize for Poetry)

Synopsis

This book is the winner of the 1989 Juniper Prize, the annual poetry award sponsored by the University of Massachusetts Press.

The poems in First Language do what Keats said poems must do: "surprise by a fine excess." Edward Kleinschmidt's words ricochet and deflect on their way to and from the heart. As the title suggests, these poems work from the source, that area of language, memory, and experience behind the operative meaning of words. Kleinschmidt dives into the layered implications of words for their limitless possibilities, to places that even those words had forgotten they had access to. He does so with a playful, astute intelligence and originality. He is the wild card in any deck of contemporary poets.

"synopsis" may belong to another edition of this title.

About the Author

Edward Kleinschmidt's first book of poetry, Magnetism, received the 1988 Poetry Award from the San Francisco Bay Area Book Reviewers Association. The volume was praised in The Massachusetts Review by Paul Jenkins, who wrote: "Kleinschmidt commits himself to an extravagance of wordplay, a wind shear of words, that carries him frequently beyond story and thought into realms of invention that can only be described as inspired. [These poems are] guided not by the logic of storytelling or even of feeling but by the force-field of language itself."

Reviews

The poems in Kleinschmidt's ( Magnetism ) second collection appear novel at first glance, but through repetition come to seem formulaic and coy. "In all / Problems there must be some connection," Kleinschmidt contends, in "Some Problems with the Mind/Body Problem," and similar questions and pronouncements dog his mostly pedestrian oeuvre: "About thinking: when a thought hits you, let it run, / Walk, crawl, stand still, be a thought, itself, whatever," he advises in "Celebrating Thinking." Such prescriptive statements concern what is not , rather than what is , and the poet's persistence in perceiving all in a negative light brings on the superfluous gloom implied in a title such as " 'Nothing Is but What Is Not.' " Surrealism redeems several poems, but when imagery releases readily identifiable emotion too quickly, it becomes horrific, as in "Random Panic in the U.S.A.": "your mother had a black road / where her blood ran. / She gave you random / Thoughts in a basket / For your wedding."
Copyright 1989 Reed Business Information, Inc.

"About this title" may belong to another edition of this title.