Although current theory had discredited the idea of a coherent, transcendent self, Shakespeare's characters still make themselves felt as a presence for readers and viewers alike. Confronting this paradox, Christy Desmet explores the role played by rhetoric in fashioning and representing Shakespearean character. She draws on classical and Renaissance texts, as well as on the work of such twentieth-century critics as Kenneth Burke and Paul de Man, bringing classical, Renaissance, and contemporary rhetoric into fruitful collision.
Desmet redefines the nature of character by analyzing the function of character criticism and by developing a new perspective on Shakespearean character. She shows how rhetoric shapes character within the plays and the way characters are "read." She also examines the relationship between rhetorical representation and dramatic illusion and by discussing the relevance of rhetorical criticism to issues of gender. Works analyzed include Hamlet, Cymbeline, King John, Othello, The Winter's Tale, King Lear, Venus and Adonis, Measure for Measure, and All's Well That Ends Well.
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Christy Desmet is associate professor of English at the University of Georgia.
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Seller: Grendel Books, ABAA/ILAB, Springfield, MA, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First edition. Near fine in a near fine (some light soiling on rear panel) dust jacket. Seller Inventory # 76537
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Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st US. (Massachusetts Studies in Early Modern Culture) Larger, sturdy book, quality brown cloth covers, bright silver lettering with black on spine, blue color inside covers and adjacent end papers, 215 pages. DJ heavy paper with light green background, darker illustration of William Shakespeare with pattern of words on front. DJ and book, both As New. Seller Inventory # 066016